2022北藝開幕季:莎士比亞的妹妹們的劇團《士林有座蓬萊仙山》

Shakespeare's Wild Sisters Group "Mounts Olympus in Shilin"

類別: 戲劇
分級:建議年齡 12歲以上
時間:
主辦:
旗艦館

購票資訊

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場館地址:臺北市士林區劍潭路1號
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節目介紹

一切都是幻覺,騙不了我的!

藝術家為了幻象製造這麼多垃圾,好的藝術家就是創作高級垃圾的人類,垃圾也有分高級和低級嗎?那就要看是誰製造的,如果是仙女製造的呢?—— 倪瑞宏

視覺藝術家倪瑞宏在《仙女日常奇緣》中,以各種衍生變異的仙女形象的田野、扮演、論證與實踐,應驗藝術家及作品的得道成仙之路。《士林有座蓬萊仙山》依循此一創作路徑,透過田野造訪與北藝中心這座劇院生成密切交集,包含不同階級、年齡、職業和身份的「素人」,透過他們對於舞台的想像與看法,探討劇場作為一個藝術生產與消費的機構,在藝術家、作品與觀眾之間,究竟存在多少共識與異識。

劇場作為一個觀演機制的中介空間,成為「蓬萊仙山」的轉喻,每晚的演出,即是觀眾(凡人)與仙女們(藝術家)一期一會,朝生暮死的夢境奇緣,然而,幻覺究竟是如何經由藝術家的勞動所產生的?作品意圖揭露、還原劇場作為社會場域的空間意義,同時透過一連串發生在劇場中,與表演相關但不被界定為藝術的勞動行為,將劇場經驗與現實社會連結,將劇場的運作機制與藝術生產的過程,暴露在觀眾面前。

All is but an illusion. I'm not gonna be fooled.

In order that illusions can ultimately be brought about, tons of trash has also been generated by artists "for art’s sake." Good artists are human beings who make high-end trash. But, is trash to be labeled as high-end or low-end? It depends on who has created the trash, really. What if it’s been created by a Fairy Goddess?

Through her The Daily Fairy Romance, visual artist Ni Juihung fulfills her wish to become immortal for her and her art through a series of field researches, role-playing, reasoning and demonstrations of the Fairy Goddess and her many variations. Mts Olympus in Shilin, following in the creative footsteps of Ni, is an artistic upshot resulting from the theater group’s many field trips to Shilin and its collaboration with the newly completed Taipei Performing Arts Center (OMA). It comprises of “amateurs” of different social standings, ages, professions, and identities, and through their respective understanding and imagination of the theater, hopes to present the consensus and disagreements that occur among artists, art works, and the audience, when discussing the theater as an institute wherein art is made and consumed as a product.

The theater as a medium space for art-viewing is the metaphor utilized in Mts Olympus in Shilin. Every single show of it is a rendezvous of the audience (the mortals) with the Fairy Goddesses (the artists). A fleeting dream-like encounter. However, how can illusion be created by way of the labor output of the artists? This work attempts to divulge and restore the spatial meaning of the theater as a social domain, re-relating the functions of the theater and the process of art-making to the society through an array of labor behaviors that happen in the theater but are not reckoned as art.

【團隊介紹】

莎士比亞的妹妹們的劇團成立於1995年夏天,團名源於英國女作家維吉尼亞‧吳爾芙(Virginia Woolf)在《自己的房間》(A Room of One’s Own)一書中所虛擬的角色,意在解除女性才華被男性體制壓抑的魔咒。劇團以原創劇本及前衛劇場美學為發展目標,創作題材、形式、議題不限。多次受邀國內外藝術節演出,展演作品美學新穎,劇團經營穩定成長。

Founded in the summer of 1995, Shakespeare's Wild Sisters Group owes its name to the fictional character in Virginia Woolf’s novel A Room of One’s Own, meaning to liberate women’s talents from the oppression of patriarchy. Limiting itself to no specific issues or conventional aesthetics, SWSG takes materials from all arts inspiring to create original theatrical works. Having been to Hong Kong, Macau,Beijing, Shanghai, Busan, Tokyo, Berlin, Singapore, Kobe, Paris, and New York, SWSG has been invited by various cities and countries to perform, and takes an important role in international city culture and artistic exchange for many years.

導演|Baboo Liao

畢業於台北藝術大學劇場藝術研究所,主修導演。現為莎士比亞的妹妹們的劇團駐團導演,作品類型跨足劇場、美術館、VR。

2017年國家兩廳院駐館藝術家。2018 年ACC 亞洲文化協會受獎人。2019年法國巴黎西帖藝術村駐村藝術家。2022年傅爾布萊特計畫受獎人。作品二度入選台新藝術獎年度表演藝術,演出足跡遍及柏林、巴黎、紐約、哥本哈根、首爾等城市。

近年導演作品包括:《無題島:孽種與魔法師》、《神話學II:人造地獄》、《人民之王》、《新!王冠度假村》、《色度:賈曼計畫》、《餐桌上的神話學》、《神農氏》等。

Director|Baboo Liao

Baboo graduated from the graduate school of Theatrical Arts, TNUA, with a master's degree in directing. He was artist in residency at National Theater & Concert Hall, Taipei in 2017. He was awarded the Asian Cultural Council Fellowship Award and participated in a residency program in New York City in 2018. He was artist in residence at Cité internationale des arts in Paris in 2019.

Since his theatre directing debut in 1997, Baboo has directed some thirty productions, two of which have earned him the awards for Taishin Arts Awards for Annual Top 10 Performing Arts. Three of his plays were invited to premiere in Festival Off d’Avignon and have toured several major cities in France since then.

Baboo has been frequently invited to international exchange programs and performances, and as a prolific young director, he continues to maintain high visibility, receiving much attention from various fields. His work has been invited to perform in New York, Berlin, Paris, Copenhagen, Avignon and Seoul.

【演職人員名單】

導演|Baboo Liao

助理導演|温思妮

合作藝術家|倪瑞宏

文本統籌|陳有銳

共同創作暨演出|王世緯、林祐如、洪唯堯、張吉米、陳以恩、黃懷德、蘇品文等(按姓氏筆畫序)

影像演出|蕭東意

舞台設計|張暉明

燈光設計|鄧振威

服裝設計|Jamo CHEN

音樂設計|蔣韜

平面攝影|陳藝堂

演出錄影|陳冠宇

製作人|藍浩之

執行製作|曾仲儀

舞台監督|馮琪鈞

Director: Baboo Liao

Assistant Director: Wen Szu-Ni

Co-artists: Ni Jui-Hung

Script: Chen You-Ruei

Co-creation and performers: Wang Shih-Wei, Lin Yu-Ru, Hung Wei-Yao, Jimmy Chang, Chen Yi-en, Huang Huai-De, Su Pin-Wen

Video performer: Kurt Hsiao

Stage Design: Chang Huei-Ming

Light Design: Teng Cheng-Wei

Costume Design: Jamo Chen

Music design: Chiang Tao

Photograph: Etang Chen

Performance Documentry: Chen Kuan-Yu

Producer: Lan Hao-Chih

Executive Producer: Tseng Chung-Yi

Stage Manager: Feng Qi-Chun

折扣方案

了解更多北藝會員: https://tpac-taipei.org/member/player-legend

2022.5.9(一)12:00──5.12(四)12:00會員預購

北藝中心會員──成癮玩家8折

2022.5.12 (四) 12:00正式啟售

會員優惠:

北藝中心會員──成癮玩家9折

北藝中心會員──團隊玩家9折、單場單筆訂單四張以上75折、十張以上7折

套票優惠

雙節套票:6/15(三)12:00前,任選2檔開幕季及1檔臺北藝術節節目票券各一張,不限票價,購票享85折、套票優惠不得與其他優惠重複使用。

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誠品會員、國泰世華銀行、玉山銀行、永豐銀行、富邦銀行卡友9折

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