2022北藝開幕季:《島嶼酒吧-Ratava》

IsLand Bar - Ratava

類別: 戲劇
分級:建議年齡 18歲以上
主辦:
旗艦館
無可售場次

節目介紹

2022島嶼酒吧 的貴賓您好:

您有一封來自 匿名使用者(Ratava) 的登入邀請,請於 2022/9/9-9/11 前往 臺北表演藝術中心 查看 _

Dear Esteemed Guest,

Welcome to IsLands Bar 2022.

You have a log-in invite from Unknown User (Ratava) . Please check your invite at Taipei Performing Arts Center on September 9-11, 2022_

Ratava 新增了一個例外的夜晚。若您已厭倦預設的故事背景,欲解鎖額外劇情,敬請把握此次機會 _

Ratava has added an exceptional evening. If you are tired of the default story setting, and would like to unlock additional plots, you are cordially invited to take advantage of this opportunity_

我們為您設計了更多巧遇。您可以裝配自己的人物形象,在這個繁衍敘事的獨立區域,隨意增補、擷取或轉譯任何你所接觸到的訊息 _

We have designed more encounters for you. You are free to customize your character, and add, extract, or translate any information you come in contact with in this independent zone of multiple narratives_

多與其他角色進行互動,您將學會一些新遊戲的玩法 _

More interaction with the other characters will allow you to pick up ways to play new games_

「島嶼酒吧」由臺北表演藝術中心在2017年的亞當計畫啟動,2018年受臺北藝術節委託,由余美華(香港)、藤原力(日本)與李銘宸( 臺灣)統籌,匯集了十二位亞洲創作者。「島嶼酒吧」現在是一個開放資源的計畫。

IsLand Bar is an open-source project by Taipei Performing Arts Center (TPAC), first initiated as an experiment in ADAM Artist Lab 2017, and commissioned in Taipei Arts Festival 2018 led by principal artists Scarlet Yu (Hong Kong), Chikara Fujiwara (Japan), Lee Ming-Chen (Taiwan).

【團隊介紹】

臺灣|何采柔

1983 年生於臺灣臺北,現居住、工作於臺灣臺北。

臺灣跨領域藝術家,加州大學國際關係學士,愛荷華大學藝術研究所碩士。

何采柔的作品試圖以局部分解的動作、日常習慣的切片與豐富迷離的光影來呈現人與現實之間某種既親密又疏離的緊張關係。而這些獨特而強烈的創作一方面包圍著觀眾,卻又與其保持對峙的狀態,讓日常的片刻成為了一道風景或儀式。

重要展歷包括「我們並非獨自做夢:亞洲協會三年展」(亞洲協會博物館,紐約,美國2021);「暗光」(昊美術館,上海,中國,2020);「橫濱三年展:餘暉,捕捉光的碎片」(橫濱美術館,橫濱,日本,2020)。

藝術家個人網站:http://www.joycehostudio.com/

臺灣|鄭先喻

1984年出生於臺灣高雄市,現居住、工作於臺北。臺北藝術大學劇場設計系舞台設計主修,並於荷蘭格羅寧根漢斯大學Frank Mohr Institute,Academe Minerva藝術學院取得藝術碩士,現為藝術家與軟體開發人員。創作多以電子裝置、軟體、生物電子實驗裝置為主,內容多在探討人類行為、情感、軟體與機械之間的關係,企圖以詼諧的方式去賦予作品某種生命象徵或是存在意義,也是藉此隱喻自身對於周遭環境的體會與觀察。2011年獲得荷蘭young talent入選,2013年獲台北數位藝術獎 首獎,2017年獲高雄美術獎新媒體藝術組優選,2019年獲得銅鐘藝術賞。個展與聯展多為台灣、亞洲與歐洲等地,近期參加廣州三年展、鳳甲錄像雙年展、以及荷蘭與斯洛維尼亞、挪威、義大利、法國、德國等展覽。

藝術家個人網站:chenghsienyu.com

臺灣|牛俊薔

牛俊薔(牛俊強)擅長計畫型的錄像,結合空間裝置、攝影和複合媒材。目前工作於台北,亦為實踐大學媒體傳達設計學系助理教授。

其作品以「視覺如何成為一種存在的形式?」出發,延伸至時空向度中,不可見的關係連結、個人至群體的意識,做細膩而宏觀的提問。

曾參與鹿特丹國際影展金虎獎短片競賽、FAFF錄像藝術節、英國Osmosis 錄像藝術節、美國Pixilerations新媒體藝術展、紐約 cutlog 藝術節、西班牙Aguilar影展、法國Tours亞洲影展、法國ARTchSO錄像藝術、日本東京Interdisciplinary藝術節、韓國光州ACC Asian Arts Space Network Show、兩岸四地藝術交流計劃、台北金馬影展、台北美術獎、台灣國際錄像藝術展、台北電影節等國內外藝術節和影展展出。作品亦在柏林、伊斯坦堡、特拉維夫、俄羅斯、墨西哥、首爾、北京、深圳等國際重要城市發表。曾獲頒第53屆美國休士頓國際影展最佳實驗電影,第42屆金穗獎最佳實驗片,第35屆金穗獎最佳實驗片,及第十七屆台新藝術獎入圍。

藝術家個人網站:https://natniu.net/index/

* 牛俊強為2019年「亞當計畫」的參展藝術家。

越南|阮英俊(Tuan Mami)

1981年生,目前居住並工作於河內。

阮英俊為一名跨領域實驗型的藝術家,在特定場域的進行裝置藝術、影像、表演與觀念藝術,透過反思式的質問與社會研究,不斷地探索新的媒介、手段與方法。

他主要關注生活相關的議題,著重於人與人、人與環境的社會互動,將情境進行重構,讓特定現實的人或物參與其中,彼此互動、共同參與一場社會過程。

阮英俊舉辦過多次個展,如:2013年於芝加哥Defibrillator藝廊舉辦的《Protest Against the Void》、2013年洛杉磯PØST的《24Hours Tension》,以及2016年鹿特丹Art Rotterdam、2018年胡志明市The Factory Art Space、2018年東京Teratotera展出的《In a Breath-Nothing Stands Still》。

他亦曾參與多項國際展覽,包括:南韓昌原雕塑雙年展《The Clouds Will Tell》(2014)、南韓光州亞洲文化中心(Asia Culture Center, ACC)《Plastic Myths》(2015)、英國諾丁漢《Krisis》(2016)、美國科羅拉多CU Art Museum《Documenting Change-Our Climate》(2019)、德國慕尼黑The Haus Der Kunst《Southeast Asia Performance Collection》(2019)、臺灣台北當代藝術館《災難的靈視(Co/Inspiration in Catastrophes)》(2019)、捷克布拉格雙年展《Matter of Art》(2020)、德國第15屆卡塞爾文獻展(Documenta15)《Nhà Sàn Collective》(2022)。

藝術家個人網站:http://tuanmami.com/

* 阮英俊(Tuan Mami)為2017年首屆「亞當計畫」的參展藝術家。

臺灣|林安琪Ciwas Tahos

林安琪Ciwas Tahos是行為藝術與新媒體藝術創作者,畢業於加拿大西蒙菲莎大學當代視覺藝術系,現居臺北,就讀國立臺北藝術大學新媒體藝術學系碩士班,透過錄像藝術、行為藝術、網路藝術和裝置藝術的跨領域創作,試圖探討主流世界觀之外的新理解形式。今年 2022 年的展覽計畫包括:Artspace Aotearoa 個展(紐西蘭)、細着藝術(Suaveart)與Jatiwangi Art Factory於第 15 屆德國文件展(印尼/德國)的聯合創作計畫。近期重要作品展出包含:2021年未至之城-2021亞洲藝術雙年展、《她可能來至__社》(臺灣)、2021年綠島人權藝術季《水池中的土地》錄像作品、2020年原住民當代藝術中的性別視鏡:迷園展出《紋面》與《獨木舟》作品(臺灣)、參與2019 年第 24 屆日本國際行為藝術節(日本)。

藝術家個人網站:https://www.anchilin.ca/

* 林安琪Ciwas Tahos為2021年「亞當計畫」的參展藝術家。

紐西蘭|程昕(Xin Cheng)

出生於中國,成長於紐西蘭。

程昕的作品跨及藝術、社會設計與地方生態,自2006年起,她便持續研究與策畫亞太地區與歐洲非專業人士的各類型工作坊,這一系列的研究使她在2019年透過德國漢堡美術大學Materialverlag出版了《a seedbag for resourcefulness》。近期,她與Adam Ben-Dror於紐西蘭威靈頓共同創立「A Place for Local Making」空間,轉化並思考在地材料與生命循環彼此的關係。此外,她亦持續在關注周遭環境與跨物種間的關係,試圖藉由動態圖像與聲音來揭視微觀宇宙與其細微複雜的故事。曾任奧克蘭藝術家自營空間RM的聯合總監,並於挪威、義大利、臺灣、柬埔寨、瑞士、韓國、日本、墨西哥等國家進駐與執行創作計畫。擁有德國漢堡美術大學(DE)美術碩士學位。

藝術家個人網站:http://xin-cheng.info

* 程昕(Xin Cheng)為2019年「亞當計畫」的參展藝術家。

程昕於本節目之創作及演出由Creative New Zealand所支持。

緬甸|摩.薩特(Moe Satt)

摩.薩特(1983年出生)現居緬甸仰光,為一名藝術家及策展人,2008年於緬甸創立國際表演藝術節《跨越壓力》(Beyond Pressure),並於亞洲、歐洲、美洲參與多項現場藝術節。他的作品涵蓋各種媒介,透過攝影、雕塑到影像與聲音裝置,探討緬甸軍事統治下的社會與政治議題。

摩.薩特亦多次受邀參加國際藝術家駐村計畫,包括:英國Delfina Foundation(2020)、紐約ACC(2017)、瑞典於默奧IASPIS(2016)。他的作品亦於許多展覽中展出,包括:日惹雙年展(2019)、政治藝術:墨爾本東南亞表演藝術先鋒(2017)、北京CAFAM雙年展(2013)、釜山雙年展(2012)。新加坡藝術博物館與Kadist基金會皆有收藏他的作品。2015年獲選進入Hugo Boss亞洲藝術獎的決選名單。

* 摩.薩特(Moe Satt)為2017年首屆「亞當計畫」的參展藝術家。

Joyce Ho, Taiwan

Born in 1983 in Taipei, Taiwan

Lives and works in Taipei

Joyce Ho received her M.A. in studio arts from the University of Iowa. She is an interdisciplinary artist, focusing specifically on painting, sculpture, and theater.

By integrating the deconstruction of movements and fragmentation of daily rituals with rich and illusory light and shadow, she demonstrates the intimate and isolating tensions between people and reality. Her unique and powerful work simultaneously captivates her viewers while keeping them in a state of confrontation, rendering the quotidian action depicted in her work as a momentary ritual.

Ho has exhibited internationally, including We Do Not Dream Alone: the Asia Society Triennial, Asia Society Museum, New York, NY, U.S. (2021); Noire Lumière, How Art Museum, Shanghai, China (2020); Yokohama Triennale: Afterglow, Yokohama Museum of Art, Yokohama, Japan (2020)

http://www.joycehostudio.com/

Cheng Hsien-Yu, Taiwan

b. 1984, Kaohsiung, Taiwan; lives and works in Taipei.

Graduated with a BFA from the Department of Theatrical Design & Technology, Taipei National University of the Arts, Cheng holds a MA from the Frank Mohr Institute at the Minerva Art Academy, Hanze University Groningen, the Netherlands. As an artist and a software developer, Cheng’s working process expands into electronic installations, software and experimental bio-electronic devices, with an aim to explore the relationships amongst human behavior, emotion, software and machinery. In a humorous manner, he attempts to endow his works with vital signs and existential or empirical significance, to metaphorically embody his own experience and observation of the environment. He was selected as Young Talent 2011 in the Netherlands and won the first prize of Taipei Digital Art Award in 2013, New Media Art of Kaohsiung Award in 2017, Tung Chung Art Award in 2019, and 19th Taishin Arts Award - Visual Arts Award. His solo and group exhibitions were mostly exhibited in Taiwan, Asia and Europe. Recently, he has participated in the Guangzhou Triennial, Taiwan Biennials, and some other exhibitions in the Netherlands, Slovenia, Norway, Italy, Germany and France.

chenghsienyu.com

Niu Jun-Qiang, Taiwan

Niu Jun-Qiang was born in 1983. He graduated with MFA in New Media Art from Taipei National University of the Arts. His artworks mainly focus on the video, film and mixed media installations. He is also the assistance professor of Communication of design in Shih Chien University.During the creative process, Niu has investigated the incredible relations between materiality and spirituality which in our life consciousness from the individuals to groups. He has worked with different sorts of participants to narrate their past experiences for the creation of a more united, joint experience.Niu Jun-Qiang’s artworks have been featured in the short film competition at the Rotterdam International Film Festival (the Netherlands), Osmosis Audiovisual Media festival (U.K.), Pixilerations Tech Art Exhibition (U.S.A.), the Aguilar International Short Film Festival (Spain), Tours Asian Film Festival (France), ARTchSO Video Festival in Rennes (France), It Takes Four Sorts: Cross-Strait Four-region Artistic Exchange Project (Taiwan, Mainland China, Hong Kong, and Macau, Taipei Golden Horse Film Festival,Taipei Arts Awards in Taipei…etc). His works also have been shown in Paris, Berlin, Istanbul, Tel Aviv, Mexico, Seoul, Beijing, Shenzhen. He won the 53rd Worldfest-Houston, Remi Award, Experimental Film & Video Art Film, 2020.

https://natniu.net/index/

*Niu Jun-Qiang is the participating artist at ADAM Artist Lab 2019.

Tuan Mami, Vietnam

b.1981, Live and work in Hanoi.

Mami is an interdisciplinary-experimental artist, working with site-specific installation, video, performance and conceptual art, who constantly explores new mediums, means and methods of evolving with reflective questioning, and social research.

His focus deals with questions about life, social interactions between people, and people with their environment, to re-construct situations into ones that engage people or objects from particular reality to enter and involve together in a social process.

Mami has held number of solo exhibitions such as: “Protest Against the Void”, Defibrillator Gallery, Chicago, 2013; “24Hours Tension”, PØST, Los Angeles, 2013; “In a Breath-Nothing Stands Still” project in Art Rotterdam 2016; The Factory Art Space, Hochiminh 2018; Teratotera, Tokyo 2018.

He has also participated in many international exhibitions including: “The Clouds Will Tell”, Changwon Sculpture Biennale, S.Korea 2014; “Plastic Myths”, ACC Gwangju, S.Korea 2015; “Krisis”, Nottingham, UK 2016; “Documenting Change- Our Climate”, The –CU Art Museum, Colorado 2019; "Southeast Asia Performance Collection", The Haus Der Kunst, Munich 2019, “Co- Inspiration in Catastrophe”, MOCA Taipei, Taiwan ; “Matter of Art”, Prague Biennale, Czech Republic 2020; Documenta15, “Nhà Sàn Collective”, Kassel, 2022.

http://tuanmami.com/

* Tuan Mami is the participating artist at ADAM Artist Lab 2017.

Anchi Lin, Taiwan

Anchi Lin [Ciwas Tahos] is a performance and new media artist of Taiwanese Indigenous Atayal and Hō-ló heritage based in Taipei, Taiwan. Following completion of a Bachelor of Fine Art in Visual Art at Simon Fraser University (Canada), Lin is pursuing a Master of Fine Art in New Media Art at Taipei National University of the Arts (TNUA). Through her artistic practice, Lin seeks out new forms of understanding beyond the hegemonic worldview using video, performance, cyberspace, and installation.

Upcoming 2022 projects include Artspace Aotearoa solo exhibition (New Zealand), project under Suaveart for Jatiwangi Art Factory in Documenta 15th (Indonesia / Germany). Lin recently won 1st Prize for the TNUA Genie Lab Art Competition. Recent significant works include Perhaps she comes/to__Alang in Phantasmapolis Asia Art Biennale, 2021(Taiwan); The Land in the Middle of the Pond commissioned by the Green Island Human Rights Art Festival, 2021; The Mask and Canoe in Silent Carnival: The Sight of Gender in Taiwan, Taoyuan City Indigenous Culture Centre, 2020; performance artist for the 24th NIPAF’19, 2019 (Japan).

https://www.anchilin.ca/

* Anchi Lin is the participating artist at ADAM Artist Lab 2021.

Xin Cheng, New Zealand

Xin Cheng works across art, social design and local ecologies. Born in China, grew up in New Zealand, since 2006 she has been researching and hosting workshops around the creative making by non-specialists across the Asia-Pacific and Europe. This body of research culminated in the publication, ‘a seedbag for resourcefulness’ by Materialverlag (DE) in 2019. Recently she set up ‘A Place for Local Making’ with Adam Ben-Dror, a convivial space for transforming and thinking with local materials and life cycles in Wellington (NZ). Additionally, she has been attending to interspecies kinship in her surroundings, unveiling micro-cosmos and intricate stories through moving image and sound. Previously she was a co-director of the artist-run space RM in Auckland (NZ), and has done residencies and projects in Norway, Italy, Taiwan, Cambodia, Switzerland, Korea, Japan, Mexico. She holds a Master of Fine Arts from Hamburg University of Fine Arts (DE).

http://xin-cheng.info

* Xin Cheng is the participating artist at ADAM Artist Lab 2019.

Supported by Creative New Zealand

Moe Satt, Myanmar

Moe Satt (b. 1983) lives and works as an artist and curator in Yangon, Myanmar. In 2008, he founded and organized Beyond Pressure, an international festival of performance art in Myanmar. He has participated in live arts festivals throughout Asia, Europe and America. In his works, which span various mediums from photography, sculpture; to video and sound installations, Moe addresses provocative social and political issues in military-ruled Myanmar. He has been invited to several artist-in-residence programs, among others, Delfina Foundation in UK (2020), ACC in New York (2017); IASPIS in Umeå, Sweden (2016). His work has been featured in several group exhibitions, including Biennale Jogga XV (2019), Political Acts: Pioneers of performance art in Southeast Asia in Melbourne (2017), CAFAM Biennale, Beijing (2013); and Busan Biennale (2012). His works have been collected by the Singapore Art Museum & Kadist foundation. He was shortlisted for the Hugo Boss Asia Art Award 2015.

* Moe Satt is the participating artist at ADAM Artist Lab 2017.

【演職人員名單】

概念、策畫|何采柔、鄭先喻

共同創作、演出|牛俊薔、阮英俊(Tuan Mami)、林安琪Ciwas Tahos、程昕(Xin Cheng)、摩.薩特(Moe Satt)※ 依姓氏筆畫排序。

現場演出|王世緯、白若瑜、一碼IMMA -黃芳惠、禤思敏、簡詩翰:Hannah ※ 依姓氏筆畫排序。

戲劇顧問|鄧富權

聲音設計|鄭先喻

平面設計|何采柔

化 妝|陳亦婷

技術統籌|黃昶智

執行製作|程馨柔

Concept and Curation: Joyce Ho, Cheng Hsien-Yu

Co-creation and Performance: Niu Jun-Qiang, Tuan Mami, Anchi Lin, Xin Cheng, Moe Satt *listed alphabetically by Chinese last name.

Performance: Jasmine Wang, Temi Nokan, Huang Fang-Hui from IMMA, Huen Sze-Man, Chien Shih-Han *listed alphabetically by Chinese last name.

Dramaturgy: Tang Fu-Kuen

Light Design: Chou Chia-Yi

Sound Design: Cheng Hsien-Yu

Graphic Design: Joyce Ho

Technical Direction: Huang Chang-Chih

Associate Production Management: Chen Hsin-Jou

折扣方案

了解更多北藝會員: https://tpac-taipei.org/member/player-legend

2022.5.9(一)12:00──5.12(四)12:00會員預購

北藝中心會員──成癮玩家8折

2022.5.12 (四) 12:00正式啟售

會員優惠:

北藝中心會員──成癮玩家9折

北藝中心會員──團隊玩家9折、單場單筆訂單四張以上75折、十張以上7折

套票優惠

雙節套票:6/30(四)前,任選2檔開幕季及1檔臺北藝術節節目票券各一張,不限票價,購票享85折、套票優惠不得與其他優惠重複使用。

異業優惠:

台新銀行信用卡卡友在5/12(四)中午12:00起至6/15(三)00:00止,購買北藝中心開幕季主辦節目享限時85折優惠,6/15(三)中午12:00起享購票9折優惠。

誠品會員、國泰世華銀行、玉山銀行、永豐銀行、富邦銀行卡友9折

圓山大飯店、萬麗酒店住房賓客憑折扣碼享9折

團票優惠:

1. 單場單筆訂單 20 張(含)以上 8 折

2. 單場單筆訂單 50 張(含)以上 75 折

3. 單場單筆訂單 100 張(含)以上 7 折

4. 單場單筆訂單 300 張(含)以上請電洽北藝中心 (02)7756-3800#1311

其他優惠:

1. 身心障礙人士及陪同者1名購票5折優待,入場時應出示身心障礙手冊,陪同

者與身障者需同時入場。

2. 年滿65歲以上長者可享5折優待,入場時請出示有效證件。

3. 開幕季夥伴每筆訂單享8折。

※ 各式優惠折扣僅適用於臺北表演藝術中心主辦節目

※ 主辦單位保留節目異動權及折扣解釋權

退換須知 查看

退/換票時間:最遲須在演出日10日前(不含演出日)辦理退、換票,主辦單位另有規定則從其規定。

申請方式:

  • 【尚未取票/電子票】OPENTIX線上退訂功能:請至「會員>訂單紀錄」選擇欲退訂的訂單,點擊「退訂單」後,即可進入頁面完成退訂。或至退票申請系統填寫訂單資料送出申請。

  • 【已取紙本票】至OPENTIX臺北、臺中、臺南、高雄四大服務處臨櫃辦理,或將存摺影本(若為現金購票)、票券,掛號郵寄至100011臺北市中正區中山南路21-1號 國家兩廳院 OPENTIX退票小組收。

退/換票手續費:退、換票酌收票面金額10%之手續費,若主辦單位另有規定則從其規定。

  • 若消費者於退換票時限前選擇「郵寄取票」,但於演出日、展覽結束前仍未收到票券者,經雙方確認 , 得不收退換票手續費。

  • 退換票手續費發票將預設存入OPENTIX會員載具,如有其他需求,請先致電客服中心(02)3393-9888 洽詢。

注意事項:

  • 【優惠組合退票】若消費者購買兩個以上品項優惠組合,退、換票後仍須符合原優惠組合規則,方可辦理退、換票。

  • 【套票退票】套票退票需整套辦理,無法以單張票券申請退票。如購買不同場次票券,最遲需於首場演出日10日前(不含演出日)辦理;套票恕不接受換票。

  • 【使用點數折抵退票】如訂單有以點數折抵消費,辦理退票(含換/補票)時,系統扣除退票手續費後會優先退還點數,此筆訂單之折抵點數全數退完後,才會將刷卡支付之金額刷退回購票使用信用卡。特別提醒,如退票時抵用的點數已過期,退還點數的效期將無法延展與恢復。

相關單位
主辦單位
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  • 佐臻股份有限公司(LOGO)
指導單位
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