2022北藝開幕季:《謝謝電影神》

TPAC X BLEED: Thank You Movie God

類別: 其他
分級:普遍級
時間:
主辦:
旗艦館

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場館地址:線上觀賞
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節目介紹

本場售票節目皆為線上演出,於ZOOM平台觀看,為協助設定觀看權限,故購票即同意售票系統將您的聯繫方式提供給主辦單位,主辦單位僅做為連繫觀眾使用,並不會做其他用途,亦不會將您的個人資料和活動資料提供給無關的第三方。

從新技術、數位表演藝術到視覺文化實踐,新媒體藝術家及編舞家蘇文琪將推出《謝謝電影神》計畫。藉由變幻及轉譯VR作品《黑洞博物館+身體瀏覽器》到線上放映的介面與模組,蘇文琪將進一步探究3D與2D之間空間維度的劇場性、映像的編碼與變奏及電影藝術的生產與辯證。

如今,將一件表演作品搬遷到線上放映幾乎類同於走進劇場看表演般自然不過,藝術家如何在網路或實體空間媒介端呈現身體並接待觀眾,成了不再二元對立的多重宇宙。因此,當蘇文琪反思如何將一種原來具有全景全身感官包覆性的VR觀演經驗重新編碼及解碼成可能平面的影像作品時,「電影神」成了關鍵性的中介與啟示。當「電影神」讓「電影」得以成為當代文化產物,祂同時也啟發了藝術家協商動態影像的藝術在銀幕、映畫、菲林乃至360度VR景觀之間的各種既定的觀影文化、歷史與慣習。

因為電影神,影像能再次具有生命,並供應了想像力與身體感,讓映像的劇場性得以穿越立體與平面的幅度與向度。謝謝電影神,讓我們得以見證《黑洞博物館+身體瀏覽器》擴延成一種網路電影的可能。

Transforming and translating a VR work into an online setting of screening, Thank You Movie God is a project by Su Wen-Chi exploring the theatricality and cinematic variations between 3D and 2D filmmaking and coding.

Screening performance works online is no longer any surprise than what we used to take for granted watching shows in theatres. While rethinking how transcoding VR to online screening would make sense, the artist encounters Movie God. As the notion of Movie God suggests, mediums of screen, cinema, film, and 360-degree VR imagery have all coded certain protocols and engagements of spectatorship. And it is because of Movie God, a work of moving image has become possible to embody and flatten cinematic transformation and imagination. Thank you Movie God, Black Hole Museum + Body Browser has gone online.

一當代舞團 YiLab.

蘇文琪於2005年成立,團隊創作理念為:「一個作品中沒有唯一的中心媒介,只有看似相同卻又互相衝擊的概念;每位受邀參與創作的藝術家都是一個獨立的個體,皆可獨立創作,自由提出各種觀點以深入作品命題之核心。」創作多結合舞蹈、裝置與新媒體的表演,探索新媒體與身體相關創作議題,嘗試從新媒體的思維中,重新探索表演藝術的可能性,延伸當代藝術面對數位時代衝擊所帶來的提問與省思。

YiLab.

In 2005, Su Wen-Chi founded YiLab. in Taiwan, an experimental group of new media and performance artists working on integrating new technology with the performing arts, and seeking to present new performing formats. YiLab.’s philosophy is: in a work, there is not just one dominant medium, only concepts that appear similar but collide with one another; every artist involved is an independent entity who has his/her own artistic trajectory, can freely put forward their viewpoint and undertake in-depth exploration of the core significance of the theme.

Their performance and exhibition were invited by the festivals / theaters in new media arts and performing arts, such as Gu-Ling St. International Theatre Festival, Taiwan International Festival of Arts, Taipei Digital Arts Festival, National Taichung Theater, New Horizon of Taiwan New Media Art Exhibition (Hong Kong), Asian Arts Theatre (Gwangju), Arcadi Hors Saison (Paris), SCOPITONE 2017 (Nantes), Kunstenfestivaldesarts (Brussels), STUK (Leuven), LEAP Gallery (Berlin), Potsdamer Tanztage (Potsdam), InShadow (Lisbon), Kalamata Dance Festival (Kalamata), Mapping Festival, La Bâtie (Geneva), Performance Space(Sydney)... among others.

臺灣 | 蘇文琪

編舞者, 新媒體表演藝術家, 一當代舞團的創立者。

作品以結合新媒體與表演藝術的概念與形式,嘗試從新媒體的思維裡,重新思索表演藝術的可能性,延伸當代藝術在面對數位科技的衝擊所帶來的提問與省思。她積極地以工作坊、研討會、表演的形式,與本地/國際藝術家與科學家保持創作上的互動與合作,她是台灣國家兩廳院2017年駐館藝術家、歐洲核子研究組織Arts@CERN科學藝術駐村藝術家,美國實驗媒體和表演藝術中心EMPAC駐館藝術家。曾獲第九屆台新藝術獎特別評審獎。2021年蘇文琪與瑞士奢華保養品牌La Prairie萊珀妮的藝術合作在巴塞爾藝術展邁阿密海灘展會獨家展出。

Su Wen-Chi, Taiwan

A choreographer, new media artist and the founder of YiLab.

Combining the concepts and forms of new media and performing arts, she attempts to rethink the possibilities of performing arts from the perspective of new media, extending the controversy and reflection of contemporary art in the face of the impact of digital technology. She has actively interacted and cooperated with local and international art communities through workshops, seminars, talks and performances. She is the artist-in-residence in the National Theater & Concert Hall in Taiwan 2017, Arts@CERN / European Organization for Nuclear Research, and EMPAC / Experimental Media and Performing Arts Center, Rensselaer Polytechnic Institute, Troy, NY. As one of Taiwan’s iconic figures in this field, SU received the Jury’s Special Award in the 9th Taishin Arts Award and Alternative Design Gold Award in the 2017 World Stage Design Award. In 2021, Wen-Chi Su’s collaboration with Swiss skincare house La Prairie was exclusively presented during Art Basel Miami Beach.

《謝謝電影神》

概念│蘇文琪

製作人│ 羅尹如

製作協力│許海文

製作單位│一當代舞團

共製單位:C-LAB臺灣聲響實驗室

感謝單位│ EMPAC / Curtis R. Priem實驗媒體和表演藝術中心

Thank You Movie God

Concept: Su Wen-Chi

Producer: Lo Yin-Ru

Production Assistant: Hsu Hai-Wen

Produced by: YiLab.

Co-Production: C-LAB Taiwan Sound Lab

Supported by EMPAC/ Curtis R. Priem Experimental Media and Performing Arts Center, Rensselaer Polytechnic Institute, Troy, NY.

《黑洞博物館 + 身體瀏覽器》

概念發想 、工作坊規劃│蘇文琪

編舞│蘇文琪、凃立葦

舞者│凃立葦

聲音設計、 聲音空間設計、WFS系統提供│吳秉聖

空間設計│張暉明

黑洞博物館 VR影像設計│謝文毅

身體瀏覽器 VR影像設計│黃郁傑

VR技術系統整合、舞蹈動作捕捉│黃郁傑

科學創作夥伴│迪亞歌.布拉斯

創作排練助理│許海文

Black Hole Museum + Body Browser

Concept and Workshop Planning: Su Wen-Chi

Choreography:Su Wen-Chi, Tu Li-Wei

Dancer: Tu Li-Wei

Sound Design, Acoustic Treatment and WFS Support: Wu Ping-Sheng

Scenography Design: Chang Huei-Ming

Black Hole Museum VR Design: Hsieh Wen-Yi

Body Browser VR Design: Huang Yu-Jei

VR Program Integration and Motion Capture: Huang Yu-Jei

Scientific Partner: Diego Blas

Workshop and Rehearsal assistant: Hsu Hai-Wen

C-LAB臺灣聲響實驗室

執行長:謝翠玉

企劃統籌:黃意芝

企劃執行:李樺

聲音工程:丁啟祐

C-LAB Taiwan Sound Lab

Director: Hsieh Tsui-Yu

Project Coordinator: Cécile Huang

Project Executive: Lee Hua

Sound Engineering: Dean Chi-You

《謝謝電影神》為BLEED2022節目,由臺北表演藝術中心委託。

BLEED由澳洲坎貝爾敦藝術中心以及墨爾本藝術之家所發起。2022年第二屆BLEED由臺北表演藝術中心與澳洲坎貝爾敦藝術中心、墨爾本藝術之家及台北當代藝術館共同製作與呈現。

BLEED由文化部駐雪黎臺北經濟文化辦事處文化組支持。

Thank You Movie God is commissioned and produced by Taipei Performing Arts Center as part of BLEED 2022.

BLEED (Biennial Live Event in the Everyday Digital) was conceived by Campbelltown City Council through Campbelltown Arts Centre, and The City of Melbourne through Arts House. BLEED 2022 is produced and presented by Campbelltown City Council through Campbelltown Arts Centre, and City of Melbourne through Arts House, Taipei Performing Arts Center and Museum of Contemporary Art, Taipei.

BLEED has been supported by the Taiwan Ministry of Culture and Cultural Division, Taipei Economic and Cultural Office in Sydney.

【展演須知】

1.本活動為線上映演,將於9/1(四)12:00停止銷售。

2.購票觀眾將於付款成功後收到訂單確認信,並於9/1(四)收到演出通知信,內含ZOOM會議室代碼與連結,敬請留意信件。

3.活動全長60分鐘,含線上放映及藝術家對談;9/6(二)場次以中文進行、9/7(三)及9/8(四)場次以英文進行。

4.線上放映部分,由藝術家為您推薦3種觀賞指引,希望您在任何情況下都能盡情欣賞作品:

*VR觀賞體驗

1. 建議網速100Mbps以上。

2. 建議使用可支援8K串流之PCVR眼鏡(例:OculusQuest系列最高可支援4K線上串流)。

3. 建議配戴耳機。

*3D觀賞體驗

1. 使用3D眼鏡(紅藍眼鏡)觀賞。

2. 建議配戴耳機。

*2D觀賞體驗

請使用個人電腦觀賞並配戴耳機。

5.購票即同意售票系統將您的聯繫方式提供給主辦單位,以利聯繫。

6.本活動於ZOOM平台進行,請先完成帳號註冊。為確保觀賞品質,請確認觀賞地點網速穩定。

7.請於活動前10分鐘登入ZOOM會議室,遲到觀眾將無法入場,亦無法退換票。

8.為保護創作者及觀眾權益,演出進行中禁止攝錄影、錄音。

1. This event included online screening and artist talk. The ticket sales will end on Thursday, 1 September at 12 p.m.

2. You will receive an order confirmation email once you successfully completed the payment. Please note that the event notification letter containing the ZOOM meeting room link and details will be sent to you via email on Thursday, 1 September.

3. The event runs for 60 minutes (approx.), including an online screening and artists talk. The session on Tuesday, 6 September is conducted in Mandarin, others are conducted in English.

4. There are some technical guidelines recommended by the artist. Hope you enjoy this work to the fullest in any conditions:

*VR experience

(1) Recommend network speed 100Mbps or above.

(2) Recommend using PC VR headset which support 8K streaming (e.g., OculusQuest series can support up to 4K streaming).

(3) Recommend wearing headphones.

*3D experience

(1) 3D glasses are needed.

(2) Headphones are recommended.

*2D experience

Please use your personal computer and wear headphones.

5. Once you purchase the ticket, you agree the ticketing system to provide your contact information to the Presenter for contacting.

6. This event will take place via Zoom, please complete registration beforehand. Steady Internet connection is required.

7. Please log in the ZOOM meeting room 10 minutes before the event starts. Latecomers will not be able to enter the meeting room neither refund the ticket.

8. To protect the rights of the artist and audience, no video or audio recording and photography/screenshot are allowed during the event.

折扣方案

2022.5.12 (四) 12:00正式啟售

會員優惠:

北藝中心會員──成癮玩家9折

北藝中心會員──團隊玩家9折、單場單筆訂單四張以上75折、十張以上7折

異業優惠:

台新銀行信用卡卡友在5/12(四)中午12:00起至6/15(三)00:00止,購買北藝中心開幕季主辦節目享限時85折優惠,6/15(三)中午12:00起享購票9折優惠。

誠品會員、國泰世華銀行、玉山銀行、永豐銀行、富邦銀行卡友9折

圓山大飯店、萬麗酒店住房賓客憑折扣碼享9折

團票優惠:

1. 單場單筆訂單 20 張(含)以上 8 折

2. 單場單筆訂單 50 張(含)以上 75 折

3. 單場單筆訂單 100 張(含)以上 7 折

4. 單場單筆訂單 300 張(含)以上請電洽北藝中心 (02)7756-3800#1311

其他優惠:

開幕季夥伴每筆訂單享8折。

※ 各式優惠折扣僅適用於臺北表演藝術中心主辦節目

※ 主辦單位保留節目異動權及折扣解釋權

購取票須知 查看
  1. 請先加入會員 註冊教學

  2. 網路購買 (限信用卡、Apple Pay、Google Pay)

  3. OPENTIX 臺北、臺中、臺南、高雄四服務處購買(本節目無法於其他分銷點/超商購買),服務處詳細資訊請點此

  4. 取票方式僅限電子票,僅開立電子發票

退換須知 查看
  • 退票時間:最遲須在演出日10日前(不含演出日)辦理退票;展覽票券最遲應於展覽結束前10日辦理,當日恕不受理。

  • 退票手續費:退票酌收票面金額10%之手續費。

  • 申請退票:

(1)刷卡購買者:使用退票申請系統於時限內提出申請,或以電子郵件、傳真辦理退票。

(2)現金購買者現場辦理,請於退票截止日前,持票前往 OPENTIX臺北、臺中、臺南、高雄服務處辦理退票。

(各服務處營業時間敬請查閱服務據點頁面公告)。

相關單位
主辦單位
  • 臺北表演藝術中心
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