在野的新影像:金穗短片輯1

New Image at the Margins : GHA Shorts Selection 1

類別: 電影
分級:輔12級
主辦:
本節目已下架

節目介紹

國影電影編號:M202210024

放映規格:DCP

級別:輔12級

片長:71分鐘

發音:英語

字幕:中字

晨夢 The Dawn Dreams

萬仁 WAN Jen|臺灣 Taiwan|1979|DCP|Colour|4min

★1979 金穗獎最佳16mm短片

異國窗明几淨的公寓裡,一名東方女子在清晨做夢。夢中,她與西洋臉孔的男子在公園碰面。女子醒來後,發現男子正在公寓收拾行李。女子突然起心動念,拿起刀刺殺男子。鬧鐘滴答作響,時間卻未曾前進。

結合驚悚懸疑聲響、西洋歌曲,《晨夢》以潛意識與現實交錯情節詮釋人類晨間夢境,是萬仁在八○年代走向新電影寫實風格前,早期創作取向截然不同的短篇力作。

★1979 Best 16mm Short, Golden Harvest Awards

In an exotic bright and clean apartment, an oriental woman is dreaming at dawn. In the dream, she meets a western-looking man in a park. She wakes up to find him packing up in the apartment. On the spur of the moment, she stabs him with a knife. The clock tick-tocks, but time stands still.

Combining thriller and suspense music with western songs, The Dawn Dream presents humans’ morning dreams with a plot interweaving subconscious and reality. This film is a powerful early work that demonstrates a different side of WAN before he adopted New Wave Realism in the 80s.

迷惘 Bewilder

萬仁 WAN Jen|臺灣 Taiwan|1981|DCP|Colour|21min

★1981 金穗獎優等16mm長片

電話鈴聲響起,劃破無人接聽的情慾空間。在夢裡,男子與慾望不停交戰,直到自瀆後,自我終於一分為二,慾望也得以流動。

《迷惘》以實驗手法表現出挑釁的性政治,透過慾望的隱與顯,轉喻了壓抑的本我主體。影像直揭個人的私密情慾與真實內心,成為臺灣新電影前的一次勇敢嘗試。

★1981 Excellent 16mm Feature Film, Golden Harvest Awards

The phone rings, breaking the silence of the arena of desire where no one picks up. While dreaming, a man battles his lust until he masturbates. His ego divides into two and his desire is finally given free flow.

Bewilder expresses overt sexual politics with an experimental approach. Through the emergence and submergence of desire, the film serves as a metonymy for the repressed subjectivity of the id. The images directly reveal a person’s secret lust and inner truth. It is undoubtedly a bold attempt preceding the Taiwan New Wave.

迷林 Labyrinthine Forest

柯一正 KO I-cheng|臺灣 Taiwan|1981|DCP |Colour|22min

★1981 金穗獎16mm長片佳作

登山男子失足跌入神秘森林,恍惚間有一白衣女性來到眼前,他既受吸引,又欲逃離,如此循環反覆,晝夜交替,找不到出口的他逐漸憔悴老去,迷失在山林與歲月裡。

有評論認為本片乃婚姻譬喻,或說女子更似行蹤難料的繆思,創作者只能在生命林間原地打轉,周而復始追尋靈光。全片無對白,以充滿象徵的情節及音畫實驗呈現受困心境。一段以疊印、負像與運鏡表現的迷幻夢境,已可窺見日後作者的實驗型態。

★1981 Special Mention 16mm Feature Film, Golden Harvest Awards

On a mountain climbing trip, a man falls into a mysterious forest. In a trance, he beholds a woman in white approaching. Tempted to stay but yearns to escape, he repeats this cycle day and night. Failing to locate the exit, he gradually wanes and ages, finding himself lost both in the forest and in time.

Some critics view the film as a metaphor for marriage; while some see the female protagonist as an inscrutable muse. The filmmaker can only go around in circles in the forest of life, searching for moments of inspiration. Without dialogue, the film conveys the sense of entrapment with a story full of symbolism and audiovisual experiments. A mesmerizing dream composed of superimposed, negative images, and camera movements foretells the filmmaker's later experimental style.

水之絕 The End of Flow

柯一正 KO I-cheng|臺灣 Taiwan| 1981| DCP|Colour|8min

★1981 金穗獎16mm短片佳作

少婦在陰暗房間遊走,情慾與暴力交織成幻想的羅網。在情人、丈夫與孩子之間,受虐的痛苦記憶不停湧現,她拿起剃刀割腕,最終在彌留時刻,逃逸的陰性力量又被男性霸權召回。

同年創作的《迷惘》(萬仁導演執導)與《水之絕》分別描繪了男性/女性潛意識能量,電話鈴聲成為外在現實及私密個人結界的通道,連接或隔絕的慾望場域亦形成有趣的對照。

★1981 Special Mention 16mm Short Film, Golden Harvest Awards

A young wife paces around a dark room. Lust and violence interweave into a fantastical web. Loitering between her lover, husband, and child, her painful memories of abuse continue to emerge. She cuts her wrist with a razor. In her final moments, the wayward feminine powers are recalled once again by patriarchy.

Made in the same year, WAN Jen’s Bewilder and The End of Flow respectively captured the male and female subconscious energy. Ringtones become the tunnel to connect the exterior reality and the intimate personal experience. The connected or separated arenas of desire are curiously juxtaposed.

生命線 Cy

曾壯祥 TSENG Chuang-hsiang|臺灣 Taiwan|1982|DCP |B&W|13min

★1983 金穗獎優等16mm劇情片

男孩在同學笑語間聽聞手相的秘密,他凝視過短的生命線,青春滲入死亡憂懼。黑白影像壓抑且憂鬱,交錯著對生命盡頭的焦慮和逝世至親的回憶。時間如駛經小鎮的火車急速前行,對生之欲求迫使男孩向前奔去、擺脫命運。本片為導演在美求學的畢業製作,劇本雛型來自王文興短篇小說〈命運的迹線〉。

★1983 Excellent 16mm Narrative, Golden Harvest Awards

Chattering school boys first learn of the secret of palm reading. They stare at the overly short lifeline, all of a sudden, the fear of death seeps into their youth. The black and white images exude repression and melancholia, mixed with the angst for mortality and the memory of deceased loved ones. Time flies by like the train speeding past town. With the desire to live, the boys run forward, attempting to break free from destiny.

This is TSENG’s graduation film for his US degree. The story is based on WANG Wen-hsing’s novella Line of Fate.

妄念 Mind

石昌杰 C. Jay SHIH|臺灣 Taiwan | 1982| DCP|Colour|3min

★1983 金穗獎最佳8mm動畫片

小人偶的靈光乍現,動手做卻怎麼都不滿意,不停修改直到最後反被創作物操控、制服。創造性的開始卻出現意想不到的結局,原有主體性的人反變成了物。本片是導演學生時期首部作品,不僅展現出創作者面對自我內在困境的掙扎,及慾望不斷擴大而改變原初的純粹,也傳達日後作品中以小我對抗外在困境及挑戰的母題。「這是兩個年輕人對創作的反省。所謂的靈感,究竟是靈感還是妄念?超乎想像的靈感很可能失控,演變成反噬人類的災難。」——石昌杰

★1983 Best 8mm Animated Film, Golden Harvest Awards

Creatively inspired, but the puppet can’t seem to execute his ideas. After repeatedly revising, he finds himself dominated by his creation instead. A creative beginning results in an unexpected ending. The subjective “human” becomes the object.

This is the director’s first film as a student. It not only expresses the artist’s inner conflict when facing oneself but also illustrates how an ever-growing hunger would alter the initial intention. Moreover, it foretells the recurring theme in SHIH’s later works – facing external adversity and challenges by one’s self. “This is a reflection on the creative work by two young men. Is the so-called ‘inspiration’ in fact a delusion? Inspiration beyond the bounds of imagination could prove to be uncontrollable, and beget a disaster that consumes humans.” - SHIH

折扣方案

【優惠票種】

◎全票:220元/張

◎TFAI會員票、學生票:180元/張

◎孩童票、愛心票(含陪同者)、敬老票:110元/張

◎團體票:20張(含)以上享7折優惠

【信用卡優惠】

國泰世華銀行:國泰世華卡友95折、國泰世華CUBE卡9折優惠

新光銀行:新光銀行卡友95折優惠

【早鳥優惠】

◎TFAI 會員早鳥優惠:150元/張 (限TFAI會員購買, 10.06 (四) 23:59 結束前購票享早鳥優惠)

【套票優惠】

◎影展套票:800元/5張(不限場次),購買套票者,影展期間(10月7日至11月27日)可至1F服務櫃檯兌換精美小禮

※以上各種優惠僅能擇一使用

溫馨提醒

如需購買輪椅陪同席,請洽國家電影及視聽文化中心(02)8522-8000。

退換須知

退/換票時間:

最遲須在演出日1日前(不含演出日)辦理退、換票。

申請方式:

【以「信用卡、行動支付、現金」付款】

1. 尚未取票或電子票:
請使用OPENTIX線上退訂功能,至會員>「訂單紀錄>退訂單」勾選欲退項目,完成退訂。
※請留意,每日23:30-00:00為系統結算期間,暫停服務。請務必留意退票期限,提前申請。
※如無法使用退訂單功能,請至網站勾選項目1,填寫訂單資料;以現金購買之電子票, 請至網站勾選項目2,填寫訂單及存摺資料,提出申請。我們會在確認申請符合退票規則後,人工執行退票。

2. 已取紙本票:
至OPENTIX臺北、臺中、臺南、高雄四大服務處臨櫃辦理;或將存摺影本(若為現金購票)、票券、姓名電話等聯絡資訊於退票期限前(郵戳為憑),掛號郵寄至「100012臺北市中正區中山南路21-1號 OPENTIX 退票小組收」。票券寄回前請先記下票券上的訂單編號(如:202101220000123-1),以便查詢退票狀況。

【以「ATM轉帳」付款】

1. 尚未取票或電子票:

請於退票截止日前,至網站勾選項目2,附上存摺資料辦理。

2. 已取紙本票:

至OPENTIX臺北、臺中、臺南、高雄四大服務處臨櫃辦理;或請將存摺影本、票券、姓名電話等聯絡資訊於退票期限前(郵戳為憑),掛號郵寄至「100012臺北市中正區中山南路21-1號 OPENTIX 退票小組收」。票券寄回前請先記下票券上的訂單編號(如:202101220000123-1),以便查詢退票狀況。

※除臨櫃辦理退還現金外,其餘退票方式將在收到申請後,最遲於10個工作日內轉帳至所提供存摺帳戶。

※請留意,ATM轉帳付款時產生的轉帳手續費為銀行收取,如有退票情形(含換、補票及節目異動時的退票),轉帳手續費恕無法一併退還。

退/換票手續費:

退、換票酌收票面金額10%之手續費。

  • 若消費者於退換票時限前選擇「郵寄取票」,但於演出日、展覽結束前仍未收到票券者,經雙方確認 , 得不收退換票手續費。

  • 退換票手續費發票將預設存入OPENTIX會員載具,如有其他需求,請先致電客服中心(02)3393-9888 洽詢。

注意事項:

  • 如購票時使用文化幣或點數折抵,退票時,系統將退還折抵之全額文化幣,並於扣除退票手續費後,優先退還點數,再將剩餘款項退回。特別提醒,如退票時(含換、補票及因節目異動之退票),抵用之文化幣、點數已逾使用效期,OPENTIX將無法以任何形式進行返還、展延。
  • 【優惠組合退票】若購買兩個品項以上之優惠組合,退票須全數辦理退票,或退票後剩餘數量仍符合原優惠組合規則,方可辦理。
  • 【套票退票】套票退票需整套辦理,無法以單張票券申請退票。如購買不同場次票券,最遲需於首場演出日1日前(不含演出日)辦理;套票恕不接受換票。


    ※ 依據文化部「藝文表演票券定型化契約應記載及不得記載事項」第3點規定,本節目之主要表演人員或主要節目內容,於預定表演前發生變動時,本活動之退票機制、受理方式、退款途徑等資訊,將另行公告於本節目頁面。

    最近瀏覽