國影電影編號：M202210025

放映規格：DCP

級別：保護級

片長：68分鐘

發音：國語、臺語、英語

字幕：中、英字

香港感覺 Hong Kong the Feeling

麥大傑 MAK Tai-kit｜臺灣 Taiwan｜1983｜DCP｜Colour｜11min

★1983 金穗獎最佳8mm紀錄片

《香港感覺》透過8mm大量逐格影像拼貼與蒙太奇，記錄八○黃金年代的香港都會風景。鏡頭以多重視角穿梭城市街區，尖峰時刻的人流車流、符碼化的街頭文字乃至流行文化，都指向了經濟無虞、高度豐裕的時代。

這是麥大傑移居香港後早期的影像創作，全片無對白，MV式的節奏與配樂，結合8mm攝影機快速變焦、影格變速抽格等手法，留住都市一隅曾經目眩神迷的霓虹面容。

★1983 Best 8mm Documentary Film, Golden Harvest Awards

Through an abundance of 8mm stop-motion animation and montage, Hong Kong The Feeling documents the urban landscape of Hong Kong in the golden age of the 80s. With multiple angles, the camera travels through city blocks, the crowds and the traffic at peak hours. From symbolized graffiti to popular culture, all images vividly portray the era of economic prosperity.

Made during MAK’s early days of immigrating to Hong Kong, the non-dialogue film uses rhythms and music in the music-video style, combining with an 8mm camera’s fast focus change, frame rate shift and skip framing to capture the city’s once mesmerizing neon look.

那張照片 The Photograph

高重黎 KAO Chung-li｜臺灣 Taiwan｜1984｜DCP｜Colour｜5min

★1984 金穗獎最佳8mm實驗影片

《那張照片》是將靜照電影化的8mm實驗作品。選自捷克攝影師約瑟夫·寇德卡 (Josef Koudelka) 攝影集中一張家人憑弔遺體的照片進行複雜「翻拍」。照片與攝影機位置是靜止的，生產關係則是動作的。

高重黎善用8mm攝影機的機械功能，重複的開關機、變換光圈、淡出淡入、雙重曝光、負片效果、溶疊抽格、變焦攀轉，竭盡攝影美學與技法，讓這張照片作為想像的載體，等待觀者之眼凝視拍攝過程的總和，一張照片最終成為了一部電影。

★1984 Best 8mm Experimetal Film, Golden Harvest Awards

The Photograph is an 8mm experimental film made from an animated still. From the Czech photographer, Josef Koudelka’s photography book, KAO chose a photo of his family beholding a body and made copies of it in a myriad of ways. The photo and the camera are stationary; however, the relationship formed between them through production is in motion.

KAO takes advantage of 8mm cameras’ mechanical prowess. He repeatedly turns the camera on and off, changes the aperture, and fades in and out. Applying double exposure, the negative effect, dissolving, skip framing, focus shifting, tilting and turning, he uses as many crafts in aesthetic photography as possible to turn this photo into a carrier of imagination. Once the audience’s gazes meet the photographing process, a photo becomes a film.

識界 Dream Land

杲中孚 GAO Chun-fu｜臺灣 Taiwan｜1986｜DCP｜Colour｜4min

★1989 金穗獎16mm最佳動畫片

《識界》是杲中孚為期一年的水墨創作計劃，以水墨記錄忙碌、紛亂的狀態下，每晚深夜時分，以流動技法展現從心境深處浮現的意象、幻象，而水和墨的即興聚散，表達了創作者內在心境的呼吸軌跡，以及時間的流逝感。

石昌杰在〈台灣動畫短片的實驗風貌初探〉文中提及，八○年代動畫創作短片，技術面雖顯「粗糙」，然而還原到當時環境，缺乏動畫教育與拍攝器材，這些作品企圖突破框架的衝撞能量，令人動容。

★1989 Excellent 16mm Animated Film, Golden Harvest Awards

Dream Land is a one-year ink painting project by GAO Chun-fu. Every night, in the late hours, GAO captures the busy and chaotic state with ink painting. Applying the flowing technique, he paints the images and illusions emerging from deep within. The spontaneous gathering and scattering of water and ink reflect the artist’s internal breathing as well as the passing of time.

In C. Jay SHIH’s article ‘The Preliminary Study of the Experimental Style of Taiwan Animated Shorts,’ he notes, “Despite the technical challenges owing to the lack of animation education and filming equipment at the time, 80s animated shorts impressed with their contentious energy and ability to think outside the box.”

那個破樓梯怎麼辦？What to Do about Those Broken Stairs?

金士傑 KING Shih-chieh｜臺灣 Taiwan｜1980｜DCP｜Colour｜7min

★1980 金穗獎16mm短片佳作

金士傑飾演甲，搞不清楚老舊的破樓梯，應該怎麼數階梯才對，平地的那一階究竟要不要算進去？李昂飾演乙，她告訴甲，我不可能告訴你，我並不知道的，它能帶你到你要到的地方，不就夠了嗎？乙知道，她不能了解甲的規則，但對甲來說，問題存在了，不搞清楚的話，它們還是會出現，像遊魂一樣。

金士傑早期創作的短片，以精闢的男女對話遊戲，反射出虛無與存在間難解的詰問。要解決的究竟是找出答案是什麼？還是問問題的本身？

★1980 Special Mention 16mm Short Film, Golden Harvest Awards

KING Shih-chieh plays A, who has no clue how to count the stairs of the old broken staircase. Should you count the landing? B, played by LI Ang, tells A, “I can’t possibly tell you what I don’t know, but the stairs can lead you to where you want to go. Isn’t that enough?” B is aware that she can’t fathom A’s rules. To A, the question already exists. If he can’t figure it out, it will keep haunting him like a wandering ghost.

This is an early short by KING. Through the incisive and game-like dialogue between the man and the woman, the film reflects on the unanswerable question of nihility and existence. Should we seek the answer to the question, or question the question itself?

朱銘 Ju Ming

黃玉珊 HUANG Yu-shan｜臺灣 Taiwan｜1982｜DCP｜Colour｜10min

★1983 金穗獎16mm優等紀錄片

1980年代初期，40多歲的雕塑家朱銘在臺灣藝壇已立足，進而前往紐約發展。當時年輕的黃玉珊正在紐約大學就讀，以朱銘為題，拍攝首部同名紀錄片。影片穿插朱銘於工作室反覆敲打雕琢的身影，與藝廊經營者、藝術評論者、雕塑家的訪談，是兩位臺灣／亞洲「表現者」分別以紀錄影像和雕塑交會的紐約經驗。

本片獲第六屆金穗獎「優等16mm紀錄片」獎項。對朱銘來說「忘我，就是我」，是他碰撞西方文化的起點，也是作品追求的精神境界。

★1983 Excellent 16mm Documentary Film, Golden Harvest Awards

In his 40s, sculptor JU Ming had already made his name in the early 80s art scene in Taiwan. He then decided to pursue opportunities in New York. During then, HUANG Yu-shan made her first documentary with JU Ming as the subject when she studied at New York University. The film contains footage of JU knocking and carving in his studio and interviews with gallery managers, art critics, and sculptors. This film brings together two New York experiences from two Taiwanese/Asian “exhibitors” who respectively experienced documentary filmmaking and sculpting in the city.

JU once said, “When I forget myself, I am myself.” This was his philosophy when approaching Western culture as well as the spiritual heights he intends to achieve in his work.

開天 The Beginning of the Universe

李道明 LEE Daw-ming ｜臺灣 Taiwan｜1982｜DCP｜B&W｜3min

★1983 金穗獎16mm最佳動畫片

取材自盤古開天的故事，天地開闢之前，宇宙仍是混沌的一團氣。開拓之後，盤古的身體部位變成了太陽、月亮、星星、高山、河流與草木。

《開天》以沙動畫作為媒材，結合黑白影像、形變技法、媒材獨有的觸覺痕跡與流動感受，重新想像與構築大中華文化下傳統故事的形貌。本片是李道明前往美國費城天普大學攻讀廣播電視電影藝術碩士期間的實驗動畫作品。

★1983 Best 16mm Animated Film, Golden Harvest Awards

Based on the story of “Pangu Separates Heaven and Earth,” The Beginning of the Universe starts with the time when the universe was a chaotic mass of air. After the great divide, Pangu’s body becomes the sun, the moon, the stars, the mountains, rivers, trees and grass.

The film uses moving sand paintings in combination with black-and-white images, transforming technique, and the unique sense of touch and fluidity of the medium to reimagine and reconstruct the traditional story. LEE made this experimental animation while he was pursuing his Master of Fine Arts Degree in Radio, Film and Television at Temple University in Philadelphia, USA.

噤聲 Keep Silent

石昌杰 C. Jay SHIH｜臺灣 Taiwan｜1988｜DCP｜Colour｜5min

★1988 金穗獎16mm優等動畫片

四人暗夜聚賭，同時轉動命運的骰子。生活失去了所有聲音，大人無語，連嬰兒也無聲哭泣，只剩門外急促的敲門聲與門內緊繃的神經，究竟，在門外的是誰？

石昌杰以獨特的人物造型、聲音設計及光影變化，建構了噤聲失措的處境，也隱喻著後白色恐怖時期的壓抑氣氛。

★1988 Excellent 16mm Animated film, Golden Harvest Awards

Gambling in the night, four men throw the dice of fortune. Suddenly, all sounds are gone from their lives. The adults are muted. Even the babies cry silently. The only sounds left are the pressing knocking from the outside and the tense nerves inside. Who is at the door?

C. Jay SHIH created a chaotic state of being silenced with his unique styles of character, sound design, and changes of light and shadow. It also serves as a metaphor for the repressed atmosphere during the post-white terror era in Taiwan.

鏡子 Mirror

黃庭輔 HUANG Ting-fu｜臺灣 Taiwan｜1989｜DCP｜Colour｜12min

★1989 金穗獎優等16mm劇情片

殘病、臥床不起的先生與精神失常的妻子相依住於山邊的簡陋老屋。某日，百無聊賴的妻子外出拾荒，途經荒雜墓地與無名廢墟，意外拾得一面鏡子，一路背負回家。一面圓鏡串起今昔，臥躺的先生反射地望見牆上的枯黃舊照，憶起日治時期舊日往事。某日，妻子再次外出，卻遇見空襲夢靨⋯。

《鏡子》是黃庭輔早期創作之一，巧妙的聲音設計強化了影像的張力，獲得第十二屆 (1989)金穗獎優等16mm劇情片獎項。

★1989 Excellent 16mm Narrative Film, Golden Harvest Awards

A bedridden husband and his deranged wife live in a shabby old mountainside house. One day, the bored wife goes out to collect trash. As she passes by a deserted cemetery and ruin, she comes across a mirror and takes it home. The mirror connects the past with the present. The bedridden husband can see the reflection of the yellowed photos on the wall in the mirror, prompting him to reminisce about his past affairs during the Japanese rule. One day, the wife ventures out again and encounters a nightmarish air raid…

Mirror is one of HUANG’s early works. The clever sound design enhances the tension of the image. The film won Excellent 16mm Narrative Film at the 12th Golden Harvest Awards in 1989.

關於回家的路上 On the Way Home

袁廣鳴 YUAN Goang-ming｜臺灣 Taiwan ｜1989｜DCP｜ Colour ｜ 12min

★1990 金穗獎優等實驗錄影帶

跟拍一名男子於雨天夜晚返家的路程，平行剪輯他返家之後的景況：洗衣卻溢水的浴室、喝茶、看書、家門反覆地開了又關，關了又開。

袁廣鳴透過即興跳躍的剪輯節奏，將實景影像、碎片話語，與電腦再製圖像不斷地錯位與重複，時而輕盈、時而詭譎，營造出平靜和混亂、焦慮共存的氣氛，也試圖探索生活與監控的關係。本片是袁廣鳴創作初期的作品。

★1990 Excellent Experimental Video, Golden Harvest Awsrds

On the Way Home follows a man on his way home on a rainy night, while cross-cutting the happenings after he returns home: doing laundry in a flooded bathroom, drinking tea, reading, and repeatedly opening and closing the door.

Through improvisational and non-linear editing, YUAN repeatedly misplaces and repeats shot footage, fragmented language, and computer-regenerated images. Sometimes light-spirited, sometimes bizarre, YUAN creates an atmosphere in which serenity, confusion, and anxiety seem to co-exist. His work also attempts to explore the relationship between daily lives and surveillance.