你誰 Who The Fuck Are You

黃凱雄 Ng Kai Soong｜臺灣 Taiwan｜2021｜動畫 Ani｜彩色 Color｜10 min｜無對白 No Dialogue

舞台中的酒桶就快滿溢，當未發酵的酒流到酒桶以後，酒還是酒嗎？終日以咖啡提神的青年上班族面對繁忙的工作，終究倒在了垃圾堆旁，意外巧遇活在垃圾堆裡，酗酒懶散的流浪小孩。小孩拿著精心挑選的酒杯，倒入威士忌，兩人看著金黃色的酒杯，探討著你究竟喝的是咖啡還是咖啡因，酒抑或酒精？

The office worker who is dealing with an overwhelming workload meets an alcoholic street child and starts to drink whisky.

K的房間——關於世界的創造與毀滅 關於世界的創造與毀滅 K's Room–The Creation and Destruction of the World

洪瑋伶 HUNG Wei-Lin｜臺灣 Taiwan｜2020｜實驗 Exp｜彩色 Color｜15 min｜英語發音 English

1960年出版的《新英文法》是台灣暢銷至今的文法書之一，也是當時青年學習英文、 建構「美國夢」、通往「新世界」的入口。然而卻少有人知道，作者柯旗化曾先後因為左傾思想及戒嚴時期「叛亂罪」入獄長達十七年。本片提取《新英文法》書中例句，以密碼解讀方式描繪獄中作者精神世界。在單調念讀英文之間、在家書和檔案影像拼貼之間，試圖回應戒嚴時期國家、邊界、個人之關係。

K'S ROOM is a mental space, which is a metaphor for the complex relationship between men, boundaries, and the Taiwanese nation during martial law. All the lines in the film are quotes from the NEW ENGLISH GRAMMAR (new edition) –one of Taiwan's most popular English grammar books–and are aimed at restructuring the mental state of its author, Mr. K, during his incarceration, as he was sent to prison because of his left-wing ideas.

非常，非常，非常地 Very, Very, Tremendously

劉廣隸 LIU Guangli｜中國 China｜2021｜實驗 Exp｜彩色 Color｜12 min｜英語發音 English

臺灣首映 Taiwan Premiere

文明即大下水道。我們認為垃圾是商品的屍體，因為其喪失了功用性，我們卻在電子遊戲中大量精準地製造三維垃圾，只為了裝飾虛擬的真實性。我們一邊在城市模擬遊戲中用居民的排泄物填滿火山，再讓其噴發淹沒城市，我們一邊在真實的垃圾山上以拾荒為生，每天收入幾美元。我們一邊將虛擬貨幣技術稱作去中心化的記帳方式，我們一邊看到中心化的資本利用它讓自己快速增值。我們，我們，非常，非常，非常地。

Civilisation is a sewer. We think that garbage is the corpse of a commodity, because it loses its functionality, but we use a lot of 3d models of garbage in video games to decorate the virtual reality. We fill the volcano with residents’ excrement in the city simulation game, and let it erupt to flood the city, and we make a living by scavenging wastes on real garbage mountains, earning a few dollars per day. While we refer to crypto currency technology as a decentralized accounting method, we see that centralized capital uses it for asset appreciation. We, we, very, very, tremendously.

As Time Goes By

陳浩軒 TAN Hao Xuan｜臺灣 Taiwan｜2022｜動畫 Ani｜彩色 Color｜3 min｜無對白 No Dialogue

自2020年開始，新冠疫情蔓延全球，至此日常生活有了完全不一樣的改變。沒有人知道，這一切將何去何從，謹透過本片的每一幕，望能安慰彼此的心靈，也讓我們珍惜當下所擁有的一切。

Since 2020, Covid-19 has spread all over the world, and daily life has changed completely. No one knows what the future holds, and through every scene in this film, we hope to comfort each other and make us cherish what we have right now.

蜃樓記 Chronicle of Nowhere

陳君典 Chun-Tien CHEN｜臺灣 Taiwan｜2022｜實驗 Exp｜彩色＋黑白 Color, B&W｜24 min｜中文發音 Mandarin

戒嚴時期的海岸線上，有著鮮明色彩與光滑圓弧外表的飛碟屋橫空出世。台灣在還未完全走向現代主義之際，未來主義便已悄然搶灘成功⋯⋯。半個世紀後，站在同一片海岸上循著時間軸回看過去，卻感到無比陌生；望向未來時，又傳來似曾相識的徒勞。

A rare pod of futuristic houses lines a semi-abandoned neighborhood outside Taipei. UFO Houses, featuring oval-shaped contours, manifests a utopian vision of the past: the future is light, colorful, and sentimental.

Even an enduring myth passed down from generation to generation cannot escape the fate of word of mouth. A half century later, we stood on the same coast with a retrospective gaze. The landscapes of the past looked utterly foreign, but when we attempted to look into the future, we were soon overwhelmed by a sense of déjà vu.