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在這支激進的獨舞中,盧伊斯.德.阿布雷烏(Luiz de Abreu)以獨特的編舞語言重新聚焦身分問題,將其置於切實的肉身之中。在異色與異國情調的凝視之下,對黑人的刻板印象已然深植巴西,透過卡利克斯托.內托(Calixto Neto)重演與黑人身體形象有關的偏見,讓種族身分經歷反身性的解構,直接嘲諷了那些無意識的種族主義者。
從陽具遊戲到挾持國旗的姿態,阿布雷烏將舞蹈視為一項解放身體、深富顛覆性的工具,並以此反客為主,一舉將受殖民的身體從客體位置轉換為主體視角,賦予其能動的力量。同時,他們嘗試新的合作方式,通過口頭傳授,開發出從一個黑人身體向另一個黑人身體傳遞和生產知識的方法論程序。
在無數巴西國旗的布景之前,披上國旗、踩踏厚底高跟鞋,舞者滿懷一種挑戰傳統的幽默感,直言批判了黑人被賦予的從屬地位。作品不時透露出激烈,甚而是暴力的特質,暗喻當今世界去殖、解殖、重構奴隸制遺產與當代統治關係之間複雜向度的迫切需要。
【團隊介紹】
巴西/法國|卡利克斯托.內托(Calixto Neto)
編舞家,先後在巴西伯南布哥聯邦大學接受戲劇訓練、雷西費Grupo Experimental de Dança學習舞蹈。擁有法國蒙彼利埃國家編舞中心(Centre Chorégraphique National)碩士學位。卡利克斯托.內托喜歡將舞蹈領域視為身分概念、(黑人)身體展演和解殖、後殖民等觀念交會的場所,讓靜態的理念化身洋溢生機的舞動。目前除了與其他舞蹈和視覺藝術家合作外,他的作品涵蓋舞蹈、文學和教育等多元領域,透過跨界的方式呈現其藝術觀點和創作理念。
2013至2015年間創作了獨舞作品《Petites Explosions》,爾後作品包括《IL FAUX》(2023年)、《Feijoada》(2021年)、《Outrar》(2021年,由Lia Rodrigues提議)、《Pro Futuro Quilombo》(2020年)、《oh!rage》(2018年),以及電影《O Samba do Crioulo Doido: ruler and compass》(2020年)等。
巴西|盧伊斯.德.阿布雷烏(Luiz de Abreu)
編舞家,舞者。出生於巴西米納斯吉拉斯州,1960年代透過巴西非洲宗教烏班達(Umbanda)的儀式發現舞蹈。畢業於里約熱內盧安琪爾.維安娜當代舞蹈學校,並獲得Uberlândia大學碩士學位。烏班達宗教混合了殖民時期奴隸的非洲宗教遺產、美洲原住民傳統、印度教及基督教元素,本身即折射出巴西複雜的殖民歷史脈絡。德.阿布雷烏經由回訪烏班達的祭儀,關注並探索與黑人身體有關的種族偏見、歧視與刻板印象,他將歷史性的創傷重塑於身體,追溯不義的起源、發展及後果。作品曾於法國、德國、葡萄牙、克羅地亞、古巴、西班牙和巴西等地展出,目前居住於巴西。《狂森巴》被選為法國龐畢度中心(Centre Pompidou)影音舞蹈收藏。
【演職人員名單】
統籌、編舞、場景設計、服裝|Luiz de Abreu
表演者|Calixto Neto
共同創作|Jackeline Elesbão, Pedro Ivo Santos, Fabrícia Martins
燈光設計|Luiz de Abreu, Alessandra Domingues
舞台監督|Emmanuel Gary
原聲帶|Luiz de Abreu, Teo Ponciano
道具設計|Ophelia Leclercq
製作經理|Julie Le Gall
製作助理|Michael Summers
主視覺照片提供|Marc Domage
主辦單位|臺北表演藝術中心
共同策畫|CN D
合作夥伴|CHANEL
In O Samba do Crioulo Doido, choreographer Luiz de Abreu uses dance as a means to deconstruct racialized identities. By having Calixto Neto embody the stereotypes associated with the representation of the black body, which is deeply ingrained in Brazil (and elsewhere) and often oscillates between exoticism and eroticism, de Abreu cleverly uses the cliché to expose and ridicule the unconscious racists. In this radical solo performance, he deploys a unique choreographic language to reexamine the concept of identity within the very materiality of the body. The violence of his writing appears to align with the urgency of addressing the decolonial issue, the enduring consequences of slavery, and the current power dynamics.
Carried by transgressive humor, the piece offers a straightforward critique of the subordinate condition to which blacks are assigned. From penis games to gestures of reappropriating the national flag, the idea here is to view dance as a tool for physical liberation, with the power to emancipate and transform. It is a cry that shifts the perception of the body from an object to a subject. In this new version of the piece, de Abreu and Neto have focused on constructing a language of transmission. Through orality, the methodological procedures they developed allow the production of knowledge to transmit from one black body to another.
Brazilian & French|Calixto Neto
Trained in theater at the Federal University of Pernambuco, and then in dance at the Grupo Experimental de Dança in Recife, Calixto Neto, a Brazilian choreographer and performer, went on to pursue the Master ex.e.r.ce program at the CCN in Montpellier. Between 2013 and 2015, he created the solo petites explosions. As a performer of Lia Rodrigues' company from 2007 to 2013, he also collaborated with Mette Ingvartsen, Anne Collod, and Eve Magot, among others. He also developed his own works, including oh!rage (2018), Outrar (2021), Feijoada (2021), and IL FAUX (2023), as well as the films O Samba do Crioulo Doido: ruler and compass (2020) and Pro Futuro Quilombo (2020).
Brazil|Luiz de Abreu
Born in Minas Gerais, Luiz Augusto Barbosa (known as Luiz de Abreu) discovered dance in the 1960s through the rituals of the Afro-Brazilian Umbanda religion. The choreographer-interpreter graduated from the Angel Vianna School of Contemporary Dance in Rio de Janeiro and holds a master's degree from the University of Uberlândia in Minas Gerais. Mainly focused on exploring stereotypes related to the black body, de Abreu's work has been shown in France, Germany, Portugal, Croatia, Cuba, Spain, Finland, Switzerland, Belgium and Brazil, where he currently resides. His piece O Samba do Crioulo Doido is part of the Centre Pompidou's video-dance collection.
Director, Choreographer, Scenography and Costume Design: Luiz de Abreu
Performer: Calixto Neto
Artistic Collaboration: Jackeline Elesbão, Pedro Ivo Santos, Fabrícia Martins
Lighting Design: Luiz de Abreu, Alessandra Domingues
Stage Manager: Emmanuel Gary
Soundtrack: Luiz de Abreu, Teo Ponciano
Props and Mouth: Ophelia Leclercq
Production and Distribution: Julie Le Gall
Production Assistant: Michael Summers
Photography: Marc Domage
Presenter: Taipei Performing Arts Center
In Partnership with CN D
Supported by CHANEL
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