墨西哥協作社短片輯 Cine Mujer Shorts

女人辛事 Women’s Things

墨西哥 Mexico | 1978 | DCP | B&W | 42 min

1979 墨西哥電影學院阿里爾獎最佳紀錄短片提名

亞洲首映 Asia Premiere

一位社會系學生意外發現自己懷孕，在友人的協助下，好不容易找上一間診所，以為抓到一根浮木，沒想到那才是夢魘的開始⋯⋯

本片為「女性影像協作社」初試啼聲之作，不僅細膩捕捉學生面對未知處境的無助茫然，更如實記錄下醫院裡的女性集體處境，透過虛實交錯的手法直指社會結構性沉痾。其不加掩飾的濃厚批判性與運動性在當時墨西哥社會實屬少見，據稱是墨西哥首部觸及墮胎此禁忌題材的影像作品，深具時代意義。墨西哥因天主教勢力長期阻礙墮胎權的普及，直至2021年墨西哥最高法院裁定「墮胎定罪」違憲，情勢才有所翻轉。

A young sociology student has an unintended pregnancy and is subjected to the humiliation of an incompetent doctor. She ends up being hospitalized due to complications and there she finds the testimony of other women who had abortions under unsafe conditions. Bold and unflinching, this remarkable debut work of the collective was one of the first films in the country to explicitly address this taboo issue.

羅莎・斐南德茲 Rosa Martha FERNÁNDEZ

1970年代墨西哥女性電影創作先驅，早年投入戰鬥電影創作，深受學生運動啟發。作為「女性影像協作社」核心推動者，作品橫跨劇情、紀錄片，多蘊含女性主義思想，爾後曾擔任編導、剪輯、製片、演員等職位，知名執導作品包括《Woman in the Revolution》、《Picnic Dance》、《Between Walls of Water》等。

Considered one of the pioneering female filmmakers of Mexican cinema and a participant in militant filmmaking during the 70s, she founded the Cine Mujer along with other CUEC students, and has since worked as filmmaker, editor, screenwriter, and producer.

廚房惡夢 Vices in the Kitchen

墨西哥 Mexico｜1978｜DCP｜B&W｜23 min

1978 智利瓦爾迪雅電影節

1978 墨西哥電影學院阿里爾獎最佳紀錄短片

亞洲首映 Asia Premiere

天才剛亮，起床、做早餐、打掃、擦地、煮飯，不間斷的勞動刻畫著分秒的流逝。本片以全職家庭主婦的一天作為敘事主軸，透過家內空間的運鏡構圖，偶爾傳來的電話、廣播劇聲，交錯襯托出主角的困境與挫折，不同處境之間的權衡則構築出同時扮演一位好母親及好妻子的雙重圍城。全片攝於屋內空間，恰與當時墨西哥女性主義運動抗議男性把持公共領域的行動不謀而合。

The film centers on the boredom and frustration of a woman dedicated exclusively to the housework at the end of a decade marked by numerous political and social movements, including feminist groups that disputed the fact that women had been banished from the public sphere.

碧翠絲・安德勒 Beatriz Mira ANDREU

現居於墨西哥的巴西籍影像創作者、譯者、講師，曾於加州大學柏克萊分校教授墨西哥裔研究。畢業於墨西哥國立自治大學電影學院，1970年代曾與羅莎・斐南德茲、瑪莉卡門・德納拉等人參與「女性影像協作社」，執導作品有《廚房惡夢》、《It's the First Time》。

A Brazilian filmmaker who lives in Mexico, and one of the founding members of the Cine Mujer. Together with Rosa Martha FERNÁNDEZ, she was later joined by María NOVARO, Ángeles NECOECHEA, Sonia FRITZ, Maru TAMÉS, and María del Carmen DE LARA, among others.

Screenwriter Beatriz Mira ANDREU Producer CUEC of the Autonomous University of Mexico

沉默不再 Breaking the Silence

墨西哥 Mexico｜1979｜DCP｜B&W｜36 min

亞洲首映 Asia Premiere

本片試圖將性暴力犯罪事件置於社會結構下檢視，藉此賦予視角的多元性及體制面的省思。除了讓受害者現身說法，導演斐南德茲假扮為受害者前往教堂向神父告解，或親自前往監獄訪談性侵害犯，將視域向外擴及事件「之外」的潛在暴力，使教會與學校的態度、社會加諸於受害者的歧視、政府及法律單位的冷漠不仁與無能一一現形。

Mixing fiction and documentary, the film includes testimonies about two raped women and the alleged rapist, while offering a reflection on the violence linked to sexual assault beyond rape, such as the collusion of the ecclesiastical institution, as well as social and family discrimination suffered by those affected.

羅莎・斐南德茲 Rosa Martha FERNÁNDEZ

1970年代墨西哥女性電影創作先驅，早年投入戰鬥電影創作，並與墨西哥國立自治大學電影學院的學生共同成立「女性影像協作社」。從事編導、剪輯、監製、演員等，作品橫跨劇情、紀錄片，多蘊含女性主義思想，同時也是一位社會心理學家、作家、教授。

One of the pioneering female filmmakers of Mexican cinema and co-founder of the Cine Mujer. Some of her renowned works include Women's Things, The Woman in the Revolution, Picnic Dance, and Between Walls of Water.

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