【北藝學院 構作與創作開放課程】林懷民:一個鄉下孩子的江湖行

[TPAC Campus Open Course] Lin Hwai-min’s Nomadic Journey with Cloud Gate

類別: 活動/學習
分級:建議年齡 12歲以上
主辦:

購票資訊

節目介紹

23歲才開始正式學舞的小說家林懷民,26歲創辦臺灣第一個現代舞團,雲門舞集。他自學編舞,經常以臺灣土地的記憶與人文精神入舞,創作出充滿個人特色的當代舞蹈,備受國際推崇。雲門把舞蹈帶到臺灣的大城小鎮,也成為巡演國際最為頻繁的華人舞團。講座將細述他經營作品與舞團的挑戰、挫折與堅持,同時透過大量影像解析他如何運用動作、音樂和視覺素材,將文本轉化為傾倒眾生的舞作。


9/30(二):苦悶、摸索與學習—— 林懷民舞蹈的DNA

從戒嚴、外交孤立,沒有專業劇場的臺灣出發,他把雲門打造成國際舞壇最亮眼的一張臺灣文化名片。這場講座將透過林懷民如何背叛他的出身,用舞蹈與時代和社會對話的故事,解密他創作和經營舞團的思考、拼搏和突圍。


本講座特別邀請舞評人陳品秀擔任提問人


10/2(四):每一天都必須是新的一天—— 從《白蛇傳》 到《關於島嶼》

林懷民的舞蹈藝術一向受到舞評人及觀眾的推崇及讚譽,但門外人很少有機會知曉他作品誕生的動機與發展。這場講座將從舞作的源頭出發,深入他創作的思維與策略,也將呈現極少釋出的珍貴影片。


本講座特別邀請舞評人陳品秀擔任提問人


10/5(日):身體怎麼說故事—— 以《紅樓夢》、《 九歌》、《 家族合唱》為例

舞蹈是感覺的藝術。不像文字,肢體的表達無法「把話說清楚」。作家出身的林懷民說,他用了二十年才洗去文字,以動作、意象和能量來成就一齣舞作。然而,他從雲門退休前的大作《關於島嶼》仍然佈滿文字。在這場講座,林懷民將透過舞作影像,敘述他如何把「文本」轉化為舞蹈。


10/7(二):我這樣架構舞台風景 —— 以《薪傳》、《 水月》、《 流浪者之歌》為例

舞台方寸的空間,如何透過布景或影像,幻化為想像的乾坤,是所有創作者重要的挑戰。林懷民說,所有的裝置必須為作品的主題服務,不能喧賓奪主。在這場講座中,林懷民將分享他如何選擇、運用媒材,打造令人難忘的風景。


【北藝學院 2025構作與創作秋季課程】學員徵選,14堂講座與8堂工作坊4,500元(含保證金 2,000 元,全程參與者將全額退還保證金)

報名連結


講者|林懷民


1973年創立臺灣第一個職業舞團「雲門舞集」,1983年創辦國立藝術學院(今國立臺北藝術大學)舞蹈系,是臺灣重要的舞蹈家與文化推動者,2019年年底,從他主持46年的雲門舞集退休。


林懷民從亞洲傳統文化汲取靈感創作的當代舞作《薪傳》、《九歌》、《家族合唱》、《水月》、《流浪者之歌》、《稻禾》與「行草三部曲」等數十作品,在臺灣和國際舞壇都獲得極高評價。倫敦泰晤士報讚譽他是「當代最重要的編舞家之一」。


在他的領導下,雲門舞集演遍臺灣城鄉,每年夏天舉辦的免費戶外演出,每場觀眾數萬,讓雲門舞作進入廣大民眾的生活。


2013年,林懷民獲頒有「現代舞諾貝爾獎」美譽的「美國舞蹈節終身成就獎」。同年,聯合國教科文組織的國際劇場機構邀請他在巴黎舉辦的「國際舞蹈日」,代表全球舞蹈人士發表獻詞。


林懷民其他的獎賞包括臺灣和香港六所大學的榮譽博士、英國三一拉邦音樂與舞蹈學院榮譽院士、美國洛克斐勒三世獎、法國文學藝術騎士勳章、德國舞動國際舞蹈大獎的終身成就獎、國際表演藝術協會卓越藝術家獎、行政院文化獎、蔡萬才臺灣貢獻獎,並獲選為時代雜誌「亞洲英雄人物」。


他也是一位著名的小說家。2019年,他長銷的成名作《蟬》發行50週年紀念版。2022年出版的《激流與倒影》獲得包括臺灣文學金典獎、國際書展非小説獎首獎,亞洲週刊全球華人十大好書獎等五項獎項。


2025年,他為FOCASA馬戲團編作的《幾米男孩的100次勇敢》在臺南水交社的馬戲帳篷演出,三萬門票完售。


主辦單位|臺北表演藝術中心

贊助單位|光寶科技


LIN Hwai-min started his career as a novelist and did not receive any formal dance training until the age of 23. At the age of 26, he founded Taiwan’s first modern dance company, Cloud Gate Dance Theatre. He taught himself choreography without any formal training, and infused his works with  the memories of Taiwan’s land and the spirit of its culture, creating contemporary dance pieces  marked by a distinctive personal style  that have been widely acclaimed internationally. Cloud Gate shares its dance  across Taiwan : from large cities  to small towns, and  brings its works to audiences around the world. In these lectures, LIN will detail the challenges, setbacks of creating his works, as well as the persistence  required to manage and operate the company. He will also make use of a large number of images to  illustrate how he drew on movement, music, and visual materials to transform text into captivating dance works. 


9/30 (Tue.) 19:00-21:00 

Anguish, Exploration, and Learning – LIN Hwai-min’s Dance DNA

Founded during a time of martial law, diplomatic isolation and a lack of professional theaters, Cloud Gate grew into Taiwan’s most iconic cultural beacon on the international dance stage. During this lecture, LIN will share how he departed from his roots and used dance as means of exploring the dialogue between history and society, unfolding the thoughts, struggles, and breakthroughs that shaped both his creative process and the management of a leading dance company. 

For this lecture, dance critic CHEN Pin-hsiu will serve as the host, leading the conversation with the speaker.



10/2 (Thu.) 19:00-21:00

Every Day Must Be a New Day - From The Tale of the White Serpent to Formosa

The artistry of LIN’s choreography has long earned the respect and praise of both dance critics and audiences. Yet, few have had the chance to delve into the motivation and evolution behind his works. In this lecture, accompanied by rarely seen video  footage, Lin will trace each dance’s origines and offer a glimpse into his creative process and strategies. 

For this lecture, dance critic CHEN Pin-hsiu will serve as the host, leading the conversation with the speaker.


10/5 (Sun.) 14:30-16:30

How the Body Tells Stories – The Dream of the Red Chamber, Nine Songs, and Portrait of the Families as Examples

Dance is the art of perception. Unlike text, physical movement does not “convey meaning in an easily defined way.” LIN who began his career as a writer, says it took him 20 years to wash away words and create  dance   grounded  in movements, imagery, and energy. However, his final major work before  retiring from Cloud Gate, Formosa, featured a stage filled with projected words. In this lecture, LIN will describe how he transforms “text” into dance through choreographic images and physical expression. 


10/7 (Tue.) 19:00-21:00

I Construct Mise-en-scène – Legacy, Moon Water, and Songs of the Wanderers as Examples

Transforming the stage, with all its spatial limitations, into an imaginary world through sets and  visuels is a central challenge for all creators. LIN  emphasizes that all stage sets must  serve the theme of the work and not overshadow it. In this lecture, LIN will share how he selects and  works with various media to create unforgettable  stage moments.


【Speakers Introduction】


Lecturer|LIN Hwai-min


In 1973, LIN Hwai-Min founded Taiwan’s first professional dance company, Cloud Gate Dance Theatre, and in 1983 he established the Department of Dance at the National Institute of the Arts (present-day Taipei National University of the Arts). He is a pivotal figure in Taiwan’s cultural landscape : both a choreographer and cultural  advocate. At the end of 2019, he retired after serving as the Artistic Director of Cloud Gate Dance Theatre for 46 years. 


LIN has created dozens of contemporary dance works inspired by traditional Asian culture, including Legacy, Nine Songs, Portrait of the Families, Moon Water, Songs of the Wanderers, Rice, and Cursive: A Trilogy. His choreography has garnered critical acclaim both in Taiwan and internationally.  The London Times once hailed him as one of the most important contemporary choreographers. 


Under his leadership, Cloud Gate Dance Theatre brought dance to cities and towns across Taiwan. Every summer, its free outdoor performances draw vast audiences, making Cloud Gate part of people’s lives. 

In 2013, he received the Samuel H. Scripps /American Dance Festival Award for Lifetime Achievement, one of the highest honors in modern dance. That same year, he was invited by UNESCO’s International Theatre Institute to deliver the keynote message for International Dance Day in Paris. 


LIN  holds honorary doctorates from six universities in Taiwan and Hong Kong and was named an Honorary Fellow of the Trinity Laban Conservatoire of Music and Dance in the UK. Time Magazine listed him among “Asian heroes”. His numerous awards include the John D. Rockefeller 3rd Award (USA), Chevalier of the Order of Arts and Letters (France), Lifetime Achievement Award from the International Movimentos Dance Festival  (Germany), Distinguished Award from the International Society for the Performing Arts, National Cultural Award (Taiwan), and Taiwan Contribution Award. 

 Also an accomplished novelist, Lin published the 50th anniversary edition of his long-selling celebrated novel Cicada in 2019. In 2022, his essay collection Torrent and Reflections was published, and went on to five major literary awards, including the Taiwan Literature Award and Taipei International Book Exhibition Grand Prize, and was named among Yazhou Zhoukan’s Best Reading Titles. 


In 2025,Lin choreographed One to One Hundred: A Brave Journey, for Formosa Circus Art (FOCASA), performed in a circus tent at Shueijiaoshe Cultural Park in Tainan City, with 30,000 tickets sold. 

◎課程全長約120分鐘,無中場休息。

◎本活動全程進行平面及影像紀錄,報名即同意主辦單位取得活動影像拍攝肖像權。

折扣方案

會員優惠:

北藝中心會員──成癮玩家、團隊玩家9折


其他優惠:

1.身心障礙人士及其必要陪同者(限1人)享5折,入場時應出示身心障礙手冊,陪同者與身障者需同時入場。

2. 年滿65歲以上長者購票5折,入場時請出示有效證件。

3. 身分證戶籍地址設於士林區民眾9折,入場時請出示有效證件。

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購票方式

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取票方式

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※為維護觀賞權益,敬請提早完成取票。
退換須知

退票期限:

最遲須在演出日1日前(不含演出日)辦理,逾期無法受理。

例:演出日為6/29,最後退票期限為6/28。

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申請方式:

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注意事項:

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※ 依據文化部「藝文表演票券定型化契約應記載及不得記載事項」第3點規定,若本節目因故取消、延期舉行之主要表演人員或主要節目內容,於預定表演前發生變動時,相關退票機制、受理方式、退款途徑等資訊,將另行公告於本節目頁面;若遇上述異動情境,主辦單位未提供退款機制時,以信用卡購票之持卡人,可向原信用卡發卡行申請信用卡爭議款退款。

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