2025風乎舞雩國際舞蹈匯演

2025《風乎舞雩國際舞蹈匯演》

2025 《Feng Dance International Gala》

 

2025 風乎舞雩國際匯演「身份與認同」

邀集來自美國、英國、香港與台灣的藝術家，透過匯演展開一場跨文化的藝術對話，回應這個時代最真實的提問，激發觀眾進行思考。

 

2025 Feng Dance International Festival: Identity and Recognition

Experience a powerful evening of contemporary dance as artists from the USA, UK, Hong Kong, and Taiwan come together for a cross-cultural performance that explores identity, voice, and belonging. Through this international festival confronts urgent questions of our time and invites audiences to reflect on the meaning of self in today’s world.

 

Where Movement Transcends Identity｜舞動之處，超越認同

邀請來自台灣、英國、美國與香港的藝術家，以「身份與認同」為策展主題，展開一場跨文化與跨國籍的匯演。

這個藝術場域中，舞蹈不僅是表演形式，更是實踐與轉化。藝術家們透過創作，使舞台成為溝通與理解的橋樑。

2025風乎舞雩國際舞蹈匯演不僅是一次藝術展演，更是一場作品的對話邀請。我們期望觀眾不只是觀看舞展，更在觀看中思辨：在戰爭、遷徙與全球化交織且不斷變動的世界中，我們是否能在舞動之中，找到存在？

 

Featuring artists from Taiwan, the United Kingdom, the USA, and Hong Kong, the 2025 Feng Dance International Gala (FDIG) unfolds under the curatorial theme Identity and Recognition, presenting a cross-cultural, transnational dance exchange.

In this space where the body becomes language, dance is not merely a form of performance—it is a practice of transformation. Through embodied creation, artists turn the stage into a bridge for connection and understanding.

FDIG 2025 is more than an artistic showcase—it is an invitation to engage in dialogue across societies and cultures. We invite audiences not only to watch, but to reflect:

In a world shaped by war, migration, and globalization, can we find our sense of being—through movement? 

 

台灣｜《Being》｜風乎舞雩舞團

新聞畫面與世界人權宣言來探討近年世界上各種種族與國家戰爭的問題。 舞台上的舞者，是血骨肉所組成的肉身，也是人類生命存在的載體。ㄧ具具的肉身被無窮的新聞畫面淹沒，世間的紛爭與 災難， 從來不只有存在新聞之中，人類認同問題是真實存在於世界上各種角落的生活與生命裡。 《Being》以聯合國人類宣言對比當今的國際戰爭、政治危機與社會不公，人類宣言似乎成了烏托邦？透過作品提問認 同議題， 並激發觀者對自我與他者處境的反思，同時以超越框架的理解與態度回應。

 

Exploring Recent Global Racial and National Conflicts through News Footage and the Universal Declaration of Human Rights. The dancers on stage are made of flesh and bone, serving as vessels for human existence. Each body is submerged in endless news footage, illustrating that the world' s disputes and disasters have never been confined to just the news. Issues of human identity are real and pervasive, present in various corners of life and existence around the globe. ”Being “ contrasts the United Nations ’Universal Declaration of Human Rights with contemporary international wars, political crises, and social injustices. Has the Human Rights Declaration become a utopia? Through this work, it raises questions about issues of identity and inspires viewers to reflect on their own and others‘ situations, responding with an understanding and attitude that transcends conventional frameworks.

 

 

風乎舞雩舞團 × 顏鳳曦
Feng Dance Company × Dominique Feng-Hsi Yen

 

風乎舞雩舞團於 2005 年成立於臺灣臺南，長年致力推動臺灣當代舞蹈藝術創作以及擴延編舞的界線。風舞團秉持「藝術即是生活，生活即是藝術」的信念。透過多元的跨領域創作，對社會與生命提問，讓編舞不再限於舞蹈動作的框架，而是擴展編舞框架、對生命的關懷及社會的提問。 風舞團透過展演、展覽和活動，引導觀者以不同視角看待藝術創作，重新思考藝術、生活和當代社會環境。風舞團持續擴延當代編舞的邊界，模糊藝術與生活的界線，並致力於舞團品牌的經營和建立，持續創造藝術與生活結合的理想藝術實踐。

顏鳳曦現任風乎舞雩舞團藝術總監及台南應用科技大學舞蹈系副教授，國立臺灣藝術大學當代視覺文化與實踐博士及美國加州藝術學院（Calarts)舞蹈碩士與學士。曾任台南應用科技大學舞蹈系主任，曾獲羅曼菲舞蹈獎、高雄傑出新秀獎、加州藝術學院獎學金，曾受邀亞洲青年編舞營、組合語言舞團、古名伸舞團、首督芭蕾舞團、三十舞蹈劇場⋯許多團體之編舞與演出。其作品多次受邀於歐洲、美洲、亞洲國家發表，代表作有《以身為名》、《孩子磁場》、《箱子》、《關係》⋯等。長年投入跨域創作、編舞實踐研究以及身心技法教學，擁有皮拉提斯(Pilates)以及嬋柔（Gyrotonic/Gyrokinesis)國際證照以及師資培訓資格。

 

Feng Dance Company was founded in 2005 in Tainan, Taiwan, and has long been dedicated to advancing contemporary dance in Taiwan and expanding the boundaries of choreography. The company upholds the belief that “art is life, and life is art.” Through diverse interdisciplinary creations, Feng Dance raises questions about society and life itself, pushing choreography beyond the confines of movement to encompass social inquiry and human concern. By way of performances, exhibitions, and public programs, Feng Dance invites audiences to engage with artistic creation from new perspectives, encouraging reflection on art, daily life, and the contemporary social landscape. The company continues to expand the boundaries of contemporary choreography, blurring the line between art and life, while actively developing its brand and vision—committed to realizing an artistic practice where life and art are deeply intertwined.   

Yen Feng-Hsi is the Artistic Director of Wind Dance Company and an Associate Professor in the Department of Dance at Tainan University of Technology. She holds a Ph.D. in Contemporary Visual Culture and Practice from the National Taiwan University of Arts, as well as both BFA and MFA degrees in Dance from the California Institute of the Arts (CalArts), USA.

She previously served as Chair of the Department of Dance at Tainan University of Technology and is a recipient of numerous honors, including the Lo Man-FeiDance Award, the Kaohsiung Outstanding Young Artist Award, and the CalArts Scholarship.

Yen has been invited to choreograph and perform with various international dance institutions and companies, such as the Asia Young Choreographers Project, Compagnie Carolyn Carlson, Kunimi Nobutaka Dance Company, Ballet Preljocaj, and Thirty Dance Theatre. Her works have been presented across Europe, the Americas, and Asia. Representative pieces include In the Name of the Body, Children's Magnetic Field, The Box, and Relations.

She is deeply engaged in interdisciplinary creation, choreographic research, and somatic movement education. Yen also holds international certifications and teaching qualifications in Pilates and Gyrotonic/Gyrokinesis.

 

 

 

美國｜《Blue》｜Rosanna Gamson

《Blue》是一支關於情感與身份的雙人舞，一段在靠近與拉扯之間，探問人類關係本質的旅程。

舞作靈感來自美式英語中「blue」一詞的多重語意——藍色、天空、海洋，也可能是瘀傷、憂鬱、道德禁忌，甚至曖昧挑逗。編舞以這些意象為線索，引導舞者從身體中尋找語言，刻畫出我們如何在「身分」的框架下，渴望連結，又害怕碰觸。

現場演唱與舞蹈交錯進行，讓觀眾在聲音與身體之間，感受一段關係的靠近、裂痕與柔軟。

 

Blue is a duet examining the necessity and fragility of human relationships, reliant on and complicated by identity. The movement will be generated through an exploration of the various meanings of “blue,” as used in vernacular American English including: the primary color, the sky, the sea, bruising,melancholy, puritanical, and riqué. Blue features live singing by the performers as well as dancing.

RGWW × Rosanna Gamson

 

Rosanna Gamson/World Wide（RGWW）是一個以舞蹈劇場為核心、強調跨文化對話與藝術跨域合作的國際團隊。自1998年於洛杉磯成立以來，RGWW持續融合多語言、多媒體與多元藝術形式，集結舞者、音樂家、演員與視覺藝術家，共同創作具備視覺魅力與人文深度的作品，回應我們所處世界的複雜性。

藝術總監 Rosanna Gamson 長期關注文化脈絡、身份與交流議題，推動具有批判性與詩意張力的舞蹈劇場創作。自2000年起，RGWW於北美巡演，並於2012年起拓展至歐洲。近年計畫包含墨西哥國立藝術中心（CENART）首演的四人舞作，以及與愛沙尼亞 Fine5 Dance Company 合作，為資深舞者編創三部短篇作品。

除了創作與演出，Gamson 也活躍於國際舞蹈教育領域，曾赴布吉納法索、墨西哥、法國授課，近年更於台南應用科技大學、上海戲劇學院、中央民族大學與浙江音樂學院等亞洲學府推廣舞蹈劇場工作坊，深化藝術對話與文化連結。

 

RGWW (Rosanna Gamson/World Wide) fosters dialogue through the production, performance and teaching of dance theater. Convening skilled dancers, singers, actors, musicians and visual artists from eclectic backgrounds and diverse countries, we create new collaborations that weave our different skills, traditions, and points of view into sumptuous, entertaining and provocative dance theater reflecting the complexity of living in the world together.

Since 1998 RGWW has created a multi-lingual, multi-media body of dance theater work rooted in the cultural multiplicity of Los Angeles. The company is an ensemble of outstanding professionals, with other artists and communities participating on a project-to-project basis. Each project sparks a different conversation about culture and context, accesses different communities, and promotes a different area of research for the creators and performers, which then is opened to the public through workshops and showings over the course of its creation. RGWW has established a long record of creating outstanding dance theater works conceived and directed by Gamson, grounded in a humanist perspective, and promoting cross-cultural dialogue. 

The company has toured since 2000, presented by venues and festivals in North America, since 2012 in Europe. Most recently, we premiered a quartet commissioned by Contradanza which premiered at Teatro Raul Flores Canelo at CENART in Mexico City and a commission in 2023 from Fine5 Dance Company which brought Gamson and an assistant to Tallinn, Estonia to create three short works for older dancers. 

Artistic Director Gamson has taught workshops at the CDC La Termitiere in Ougadougou, Burkina Faso, at the Centro de Producción de Danza Contemporánea (CEPRODAC) in Mexico City, Mexico, and mentored students at the CND in Pantin, France. Since 2023, Gamson has led dance theater workshops in Asian university dance programs including Tainan University of Technology, Shanghai Theatre Academy, Minzu University, and Zhejiang Conservatory of Music (ZJCM).

 

香港｜《千秋 - 在時間與空間之間搖擺的自由身》｜楊春江 Daniel Yeung

以盪鞦韆比喻作時間和空間，關於一個舞者的自述。

A dancer’s self-reflection unfolds through the metaphor of a swing—suspended between time and space.

楊春江 Daniel Yeung

 

编舞 /「香港比舞」舞蹈節總監 / 舞蹈講師 / 舞蹈評論及策劃人

Choreographer / Festival director- HDX / Independent Curator / Choreographer / Arts critic

曾八度獲得香港「舞蹈年獎」(2000、2005、2009、2012、2013、2014、2020、2022) 、两度南華早報《全年五大最佳編舞》(2006、2008) 及香港藝術發展局舞蹈新晉藝術家年獎等(2002)。並被歐洲芭蕾舞蹈雜誌Ballet Tanz年刊提名為「備受注目編舞家」。2020年至2022年，獲民主選舉出任藝術發展局舞蹈組主席及藝術評論組副主席。同年再獲香港舞蹈年奬頒發至高榮譽「傑出成就奬」。現為「香港比舞」國際舞蹈節總監，及台北「漂鳥舞蹈平台」國際交流計劃的節目評審和顧問。

 

Daniel is an eight-time awardee of the Hong Kong Dance Awards (2000, 2005, 2009, 2012, 2013, 2014, 2020, 2022), organized by the Hong Kong Dance Alliance, and twice-won “Top Five Best Dance Works of the Year” from the South China Morning Post. He was raved by Europe’s BalletTanz year book as “The Choreographer to Look At” and was awarded the “Rising Artist Award” by the Hong Kong Arts Development Council 2002. In 2013, Daniel was awarded by the Hong Kong Arts Development Council as the “Best Artist of the Year (Dance)” for his total contributions on curating, choreographing, performing, teaching and criticism on developing Hong Kong dance culture. In 2020 (till 2022), he was elected as Chairman (Dance Sector) and Vice-Chair (Arts Criticism) through democratic election from the Hong Kong Arts Development Council. Daniel was once again awarded by the Hong Kong Dance Award with the top honor “Distinguish Achievement Award” in 2022. He is now Director of HDX (Hong Kong Dance Exchange International Dance Festival), and the Jury for the DNA (Dance Now Asia) International Dance Platform in Taiwan.

英國｜《Far Gone》｜Roots Mbili Theatre

 

如果你從未親身經歷過戰爭，是否能想像，一名孩子如何在衝突與信仰的邊界中掙扎求生？

《Far Gone》是一部震撼人心的獨角戲，由約翰・羅索馬克以親身經歷創作並演出。童年時，他在烏干達差點遭聖主抵抗軍（LRA）綁架，這段創傷成為他重新梳理自我認同的起點。作品以細膩動人的肢體與敘事，穿梭於他作為烏干達孩童與英國黑人青年的生命經歷，反思「非洲」這個被他人命名與想像的標籤，如何深深影響了他對自身的理解。

作品同時也直指西方社會如何建構關於非洲的特定敘事，即便是像「Invisible Children」這樣標榜援助的組織，也可能無意間強化了對非洲裔社群的誤解與單一視角。在聚光燈下，他邀請觀眾正視這些看似遙遠、卻仍持續影響全球的問題。

《Far Gone》是一場真誠而有力的自我書寫，更是一道敲響舞台邊界的回聲——為英國舞台上缺席已久的黑人經驗，打開一道觀看與對話的縫隙。

 

Far Gone is a one-man show that explores the complex issues of war, religion and power through the story of a Ugandan child soldier, whilst examining the way the West manipulates specific narratives of Africa, often using “legitimate” aid organisations like ‘Invisible Children’ in a way that directly impacts people of African heritage in the UK and beyond.

 

‘It aims to address and widen the current representation on stage of Black British experience.’

 

Inspired by the writer’s real life experience of nearly being kidnapped by the guerilla rebel group The Lord’s Resistance Army (LRA) led by Joseph Kony in Uganda, it draws on the contract between his experiences as a child in Uganda and the experience of being a young black man in the UK, and how perceptions of ‘Africa’ effects his own narrative. It aims to address and widen the current representation on stage of Black British experience.

 

 

Roots Mbili Theatre × John Rwothomack

 

Roots Mbili Theatre 成立於 2021 年，是一個專注於跨文化合作實踐的戲劇藝術團隊，由演員、導演與編劇 John Rwothomack 發起，並由數位導演 Smart Banda 與創意製作人 Sam Holland 共同推動。

三位成員早在 2018 年便開始合作，從《Bad Blood Blues》開始逐步累積創作默契，並以 John Rwothomack 個人名義推展多部作品，其中《Far Gone》即誕生於 Theatre Deli，之後更於謝菲爾德劇院（Sheffield Theatres）與烏干達坎帕拉國際劇場藝術節演出。這些經歷奠定了日後成立 Roots Mbili Theatre 的基礎，也為團隊在全球舞台上的發展潛力，開啟了更寬廣的想像與可能。

 

Founded in 2021, Roots Mbili Theatre is a dynamic dramatic arts company specialising in cross-cultural collaborative practice. The company is the brainchild of John Rwothomack, an actor, director, and writer supported by Digital Director, Smart Banda and Creative Producer, Sam Holland. Beginning with Bad Blood Blues in 2018 and under the moniker of John Rwothomack, the three have collaborated frequently over the years including the inception of Far Gone at Theatre Deli and it’s subsequent performances at Sheffield Theatres and the Kampala International Theatre Festival in Uganda. These foundations have been crucial in realising our shared vision for Roots Mbili Theatre and the enormous potential of its impact on the global stage.

 

 

 

【演出資訊】

地點｜臺南市美術館2館 跨域展演廳（臺南市中西區忠義路二段1號）

 

場次｜

10/24（五）19:30 英國

10/25（六）19:30 美國 × 香港 × 台灣（每團約20分鐘)

10/26（日）14:30 美國 × 香港 × 台灣（每團約20分鐘)

策展團隊：風乎舞雩舞團

藝術總監：顏鳳曦

副藝術總監：張菀真、葉珮怡

行政統籌：羅佩瑜

專案行政：鄭雅云

行政助理：劉馥綾、劉沛欣

技術統籌暨燈光設計：郭建豪

 

主辦單位：風乎舞雩舞團

指導單位：臺南市政府文化局

協辦單位：臺南市美術館

贊助單位：財團法人國家文化藝術基金會、財團法人菁霖文化藝術基金會

 

台灣｜《Being》｜風乎舞雩舞團 演出團隊

臺灣藝術家：顏鳳曦 

影像設計：葉彩鳳 

音樂設計：何品達

影像助理：潘宥婷

演出人員：張菀真、張芷綺、吳熹、陳詠婕、李芊妤、程芷誼

 

英國｜《Far Gone》｜Roots Mbili Theatre 演出團隊

演出人員：John Rwothomack

導演：Mojisola Kareem

英國 製作人：Sam Holland

台灣製作人：Howl Yuan

劇本統籌：Paul Sirett

音效設計：Lee Affen

燈光設計：William Monks

舞台與服裝設計：Kevin Jenkins

排練指導：Akeim Toussaint Buck

排練指導：Lilac Yosiphon

舞台經理：Sylvia Darkwa-Ohemeng

製作經理：Tom Robbins

數位導演：Smart Banda

影像紀錄：Gomolemo Nyakale

 

美國｜《BLUE》｜RGWW 演出團隊

Choreography：Rosanna Gamson 

Dancer：Gretchen Ackerman、Marissa Brown

香港｜《千秋 - 在時間與空間之間搖擺的自由身》｜楊春江 演出團隊

香港藝術家：楊春江

演出人員：楊春江