萬作之會《狂言劇場》

狂言為古老的喜劇形式，擁有六百年以上的歷史，與能劇、歌舞伎、文樂並列日本四大傳統藝術。狂言和泉流的野村万作家向來積極進行海外演出與跨界交流，為傳統藝術打開新道路。其子野村萬齋打破狂言的框架，在影視及表演藝術領域展現才華洋溢的多面向，無疑是當代狂言界最閃耀的一顆星。萬齋之子裕基也是備受矚目的新生代，除了本業狂言外，也參與舞台劇、電視劇、動漫配音，積極拓展表演領域，創造更多新的可能性。

本次野村萬齋帶來的《Mansai波麗露》，是以野村家招牌舞作《三番叟》為主軸，結合拉威爾知名舞曲《波麗露》創作而成的作品，2011年在日本首演後，便持續演出至今，也有人數不同的各種演出版本，其中最知名的版本則是2025年與花式滑冰運動員羽生結弦的合作，這部名作將在衛武營獨家精彩再現。《月見座頭》描寫月圓之夜，盲人座頭巧遇前來賞月的男子，兩人在月下詠歌、飲酒的愉快情景，未料卻迎來出乎意外的結局，荒謬劇的風格，在歐美演出時備受好評。《二人袴》則描述婚後初次拜訪岳父的女婿，因為只有一件禮服，不得不與父親輪流穿著拜會妻家的窘況，父子二人是否能在不露餡的情況下順利完成拜會呢？狂言師們將以詼諧機智的語言與靈巧滑稽的動作，演繹一段趣味橫生的荒謬趣事。

Kyogen, which stands alongside Noh, Kabuki, and Bunraku as one of Japan's four great traditional performing arts, is an ancient comic theater with a history of over six hundred years. The Mansaku NOMURA family of the Izumi School has long been committed to international performances and cross-disciplinary collaborations, forging new paths for the art form. Mansai NOMURA, son of Mansaku, has expanded the horizons of Kyogen by showcasing his versatility in film, television, and contemporary theater. He is without question one of the most brilliant figures of contemporary Kyogen. Yuki NOMURA, Mansai's son, is also gaining wide recognition as a next-generation performer, active not only in Kyogen but also in stage plays, TV dramas, and even anime voice acting, expanding the fields of performance and creating more potential to the tradition.

In this program, Mansai NOMURA presents Mansai Boléro, a piece centered on the NOMURA family's iconic dance piece Sanbaso and enriched with RAVEL's celebrated Boléro. Premiered in Japan in 2011, the piece has continued to be performed in multiple versions ever since. Among the most notable is the 2025 collaboration with figure skating champion Yuzuru HANYU. This remarkable work will be presented exclusively at the National Kaohsiung Center for the Arts (Weiwuying). The program also features Tsukimi Zato (The Moon-Viewing Blindman), which tells a story of a blind man who encounters a gentleman under the full moon. What begins as a pleasant evening of poetry and sake takes an unexpected turn by the end. This absurdist-tinged piece has been highly praised during its tours in Europe and America. In Futari Bakama (One Hakama for Two), a newlywed man visits his wife's family for the first time, only to face the comic predicament of sharing his lone formal robe with his father. Will the father and son be able to complete their visit without giving themselves away? The Kyogen actors' witty language and nimble movements bring to life a humorous yet absurd tale full of mischief and laughter.

演出暨製作人員名單 

狂言師：野村万作、野村萬齋、野村裕基、深田博治、高野和憲、中村修一、飯田豪

舞台監督：勝康隆

舞台技術：小栗直人

燈光統籌：杉本公亮

音響統籌：小笠原康雅

音響執行：相樂恭平 

製作人：小山田智美

Performers: Mansaku NOMURA, Mansai NOMURA, Yuki NOMURA, Hiroharu FUKATA, Kazunori TAKANO, Shuichi NAKAMURA, Go IIDA

Stage Manager: Yasutaka KATSU

Stage Technician: Naoto OGURI

Head of Lighting: Kohsuke SUGIMOTO

Head of Sound: Yasumasa OGASAWARA

Sound Technician: Kyohei SAGARA

Producer: Tomomi OYAMADA

團隊介紹

萬作之會 

萬作之會狂言劇團由野村万作創立，現由野村万作（二世）與兒子野村萬齋（二世）共同領導，兩人承襲了250年來的傳統戲劇家學。自1957年劇團首次參加巴黎國際戲劇節以來，野村萬作在世界各地巡演和舉辦講座，持續向國際觀眾分享狂言之美。延續父親的使命，野村萬齋不僅長年演出狂言，並致力探索狂言作為當代表演藝術形式的可能性。野村萬作是日本政府選定的人間國寶。野村萬齋及石田幸雄被指定為日本重要非物質文化財產持有人。

野村万作

野村万作為日本的人間國寶。生於1931年，是同為人間國寶的野村万藏（六世）的次子。野村万作師承祖父野村萬齋（一世）及父親野村万藏，學習狂言。野村万作三歲時初次登台，飾演經典劇目《靱猿》中的小猴。野村万作就讀於早稻田大學日本文學系，自畢業起便成為引領狂言界的傑出藝術家，並為此項傳統技藝注入新的思想。除了傳統狂言劇目全本，他的代表作包含荀白克《月光小丑》、木下順二《子午線的冥想》以及與崑曲演員張繼青合作《秋江》。近期導演作品包含改編自莎士比亞《溫莎的風流婦人》的新編狂言《法螺侍》，此作亦巡迴到香港與澳洲阿得萊德展演，並在1997年於日本文化協會呈現。 自1957年起，野村万作於世界各地積極主持狂言工作坊，地點包含華盛頓大學及加州大學柏克萊分校，並於夏威夷大學任訪問教授。野村万作獲頒眾多獎項如朝日賞、坪内逍遥大賞、紀伊國屋演劇賞以及紫綬褒章。2015年獲日本文部科學省文化功勞獎，為藝術工作者最高殊榮。

野村萬齋 

野村萬齋生於1966年，師承名列人間國寶的祖父野村万藏（六世）及父親野村万作（二世），三歲時初次登台。

野村萬齋的舞台作品不限於日本傳統戲曲的狂言及能劇，他也在數部希臘悲劇及莎劇製作中擔任要角，例如蜷川幸雄《伊底帕斯王》和強納生．肯特《哈姆雷特》。亦演出日本電影鉅作，例如黑澤明《亂》、滝田洋二郎《陰陽師》及樋口真嗣與犬童一心合導的《無用男之城》。

除了耕耘其豐富的表演志業，他也熱衷執導融合經典與當代、東方與西方的劇目。2002年，其新編狂言《錯誤的狂言》改編自莎劇《錯中錯》至美國及倫敦環球劇院巡演。2005年起執導《國盜人》（改編自《理查三世》）、《竹林中》、《鏡冠者》，《敦－山月記．名人傳》（改編自作家中島敦之作）更獲得朝日舞台藝術賞及2005年紀伊國屋演劇賞。

2013年，野村萬齋與著名攝影師杉本博司合作傳統劇目《三番叟》，由日本文化協會與古根漢美術館共製，於古根漢大廳演出。同年與日本文化協會共製《馬克白》，野村萬齋亦在劇目中擔任主角。

野村萬齋曾獲藝術祭新人賞、藝術選獎文部科學大臣新人賞。他亦是日本重要非物質文化財產：能劇狂言類持有人；野村萬齋自2002年至2022年擔任世田谷公立劇院藝術總監，並自2021年起擔任石川縣立音樂堂邦樂總監。 

THE MANSAKU-NO-KAI KYOGEN COMPANY

The Mansaku-no-kai Kyogen Company was founded by Mansaku NOMURA II, and is now led by Mansaku and his son, Mansai II, member of a distinguished familial theatrical line that boasts a 250-year-history. Since the company's first tour abroad to the Paris International Theater Festival in 1957, Mansaku has been a pioneer in sharing the art of Kyogen with international audiences, giving performances and lectures throughout the world. Continuing his father's mission, Mansai performs 

Kyogen extensively, and is committed to exploring the possibilities of Kyogen as a contemporary performing art of Japan as a Living National Treasure. Mansai NOMURA and Yukio ISHIDA have been designated as holders of Important Intangible Cultural Property.

Mansaku NOMURA

Mansaku NOMURA is a Living National Treasure of Japan, born in 1931, the second son of the late Manzo NOMURA VI, who was also a Living National Treasure. Mansaku studied Kyogen under his grandfather Mansai NOMURA I and his father, Manzo. At the age of three, Mansaku made his stage debut in the role of little Monkey in Utsubozaru. He graduated from Waseda University with a degree in Japanese Literature. An outstanding leader in the Kyogen world, with his unparalleled stage performances of even the most demanding traditional Kyogen pieces such as Tsurigitune, Mansaku has also acted in modern and contemporary theater works, including Pierrot Lunaire, Shigosen no Matsuri (The Rite of Meridian) directed by Junji KINOSHITA, and Shukoh with ZHANG Jiqing. Mansaku also created and directed the "new" Kyogen piece, The Braggart Samurai, based on SHAKESPEARE's The Merry Wives of Windsor, which toured to Hong Kong and Australia and was also presented at the Japan Society in 1997.

Since 1957, Mansaku has been active in leading Kyogen workshops throughout the world at venues including the University of Washington, the University of California, Berkeley, and the University of Hawaii as a visiting Professor. Mansaku is the recipient of numerous awards including The Asahi Prize, Grand-prix of the Art Festival run by the Agency for Cultural Affairs of the government of Japan, the Tsubouchi Shoyo Prize, the Kinokuniya Theatre Award, and the Purple Ribbon Medal by the Japanese government. In 2015, Mansaku was honored with the Cultural Achievement Award by the Ministry of Education, Culture, Sport, Science and Technology of the government of Japan, the highest ranked award offered to artists.

Mansai NOMURA

Mansai NOMURA was born in 1966 and studied under his father Mansaku II and his late grandfather Manzo VI (both Living National Treasures). He made his stage debut at the age of three.

His acclaimed performances go far beyond those of traditional Kyogen and Noh actors—he also played the title roles of Oedipus, directed by Yukio NINAGAWA, and Hamlet, directed by Jonathan KENT. He has starred in hit Japanese movies such as Akira KUROSAWA's Ran, Yojiro TAKITA's Onmyoji and Isshin INUDO and Shinji HIGUCHI’s The Floating Castle (2012). Besides acting, he is committed to directing plays that merge classic and contemporary works from the East and West. In addition to his own creations of "new" Kyogen pieces including The Kyogen of Errors, based on SHAKESPEARE's The Comedy of Errors, which toured to London's Globe Theatre in 2002 and to the U.S. in 2005, his directing credits include Kuni-nusu-bito (adapted from Richard III), Yabu no Naka (In a Thicket), Kagamikaja (Mirror Servant) and Atsushi (adapted from the late Atsushi NAKAJIMA's Sangetsu-ki and Meijinden), for which he was awarded the Asahi Performing Arts Award and the Kinokuniya Theatre Award in 2005 for direction and composition.

In 2013, Mansai performed in the traditional piece SANBASO, divine dance, a collaboration with world-renowned visual artist Hiroshi SUGIMOTO that was co-produced by the Japan Society and the Solomon R. Guggenheim Museum and took place in the Guggenheim rotunda. In the same year, Mansai also brought his production of Macbeth, in which he directed and played the title role, to the Japan Society.

He has received the National Arts Festival New Artists Award and the Ministry of Education's Art Encouragement Prize for New Artists. Mansai holds the distinction of Important Intangible Cultural Property: Nohgaku. He served as the Artistic Director of Setagaya Public Theatre from 2002 to 2022, and has been the Director of Hogaku (Japanese traditional music) of Ishikawa Ongakudo since 2021.

※因應演出形式需求，以下座位：2樓16排29,30、17排29,30、18排29,31,30,32、19排31,33,32,34、20排31,33,32,34、21排35,36 會有部份視野受限，購買上述座位時敬請留意。

衛武營觀眾專屬電影特典 
描述狂言大師野村万作生平的電影《六張臉：狂言師的舞台人生》預計於2026年4月24日在臺灣上映。凡持 2026「萬作之會《狂言劇場》」節目票券，於電影正式上映期間至全臺上映戲院購買本片電影票，即可兌換「衛武營觀眾專屬限定特典」乙份。每張節目票券限兌換1份，數量有限，送完為止。 更多詳情請洽「輝洪」官方粉絲專頁或客服信箱 service@hwe-hon.com.tw。

演前導聆 Pre-talk｜

4.24  Fri.   19:00  戲劇院觀眾席 Playhouse Auditorium

4.25  Sat.  14:00  戲劇院觀眾席 Playhouse Auditorium

4.25  Sat.  19:00  戲劇院觀眾席 Playhouse Auditorium

4.26  Sun. 14:00  戲劇院觀眾席 Playhouse Auditorium

到場注意事項｜

＊演出全長約120分鐘，含中場休息20分鐘。

＊日語演出，中、英文字幕。

＊建議7歲以上觀眾觀賞。

＊遲到、中途離席觀眾請依循現場工作人員指示入場。

＊主辦單位保留所有活動異動權與解釋權。