2025種子舞團「境•形視系列9」

種子舞團「境·形視」系列自創辦以來，透過公開評選機制，挑選優秀新銳作品，提供年輕創作者專業舞台與空間發表機會，至今已培育逾 20 位新銳藝術家。2025 年系列邀請特邀作品《圓圓的光》以及編舞家薛詒云、簡智偉&羅益財共同創作演出，突破傳統劇場形式，將舞蹈與不同空間結合。觀眾將以多重視角進入演出場域，感受身體、空間與故事交織的對話，體驗舞作在空間中的多元呈現與編舞者所傳達的情感意象。此系列不僅是表演平台，更是新銳藝術家創作實驗與觀眾互動的橋梁。

 

【作品介紹】

特邀作品Featured Work | 嚐劇場《圓圓的光》Bon Appétit Theatre: The Shape of Glow

共同創作暨演出Co-creation and Performance｜洪信惠Hsin-Huei Hung、卓士堯Shr-Yao Juo

戲偶設計Puppet Design | 孫立之Sara Sun

在一顆小光點塑形成軀殼之前，它飛過許多地方、穿越無數個圓，這顆小小圓圓的光，在成為一個小小孩之前，它早已探索過那些異想不到的黑暗角落、觸碰過比它還要巨大更多的光體，最後，它選擇在一片寧靜中，投入另一個圓圓的發光體，成為生命。

 

圓，是起點也是終點，是世界最初的輪廓、萬物不斷回歸的原點，也是人類潛意識裡，從洞穴深處探索到溫暖圓融的生命循環。本作品融合物件、光影、戲偶和現場音樂，描繪一顆疏離的光體，在經歷一段靜謐航行、抵達地球後逐漸成形，進而開啟對「圓」物的細膩感知。

Before a tiny light particle formed into a physical body, it traveled across many places and traversed countless circles. This small, round light, even before becoming a young child, had already explored unexpected dark corners and touched light sources much larger than itself. Finally, in a moment of tranquility, it chose to merge with another luminous, round entity, thus beginning a life.

The circle is both the beginning and the end—it is the original outline of the world, the constant return point of all things, and, in the human subconscious, the warm and complete cycle of life, explored from the depths of a cave. This work blends objects, light and shadow, puppetry, and live music to depict a solitary light entity that, after a silent voyage, arrives on Earth, gradually takes shape, and begins to perceive the delicate nature of "round" things.

 

編舞家Choreographer | 薛詒云《憑依之身》Yi Yun HSUEH - Through This Flesh

演出Performance  | 薛詒云 Yi Yun HSUEH、吳凱文 Kai Wen WU

  

憑依之身——靈入其體，形化其義。

 

對照過往的表演經驗與浸染於宮廟文化的童年，溯洄身體成為能量出口的途徑，當肉身成為神明的媒介/表演的載體，所盛裝的是為何？作品在戶外場域展開回到更貼近群眾、充滿偶然性的場景。透過戶外空間的開放性，作品希望模糊界線：使用身體與他者觀看的方式、祭儀與表演之間的連結，在日常中感受演出的生成與變化。

 

Through this flesh, when spirit comes, consciousness takes form.

 

Reflecting on past performances and a childhood immersed in temple and ji-tong culture, one traces the path where the body becomes an embodiment of energy. When the flesh is a vessel for the deity or a medium for performance, what is it that it contains? Through the fluidity of the outdoor space, the work aims to blur boundaries: how we use our bodies and how we see others,  and the connections between ritual and performance, letting the audience perceive how the work evolves and changes.

  

編舞家Choreographer | 簡智偉&羅益財共創《in/out》James Kan & Low Yee Choy Co-creation《in/out》

演出Performance | 簡智偉James Kan

《in/out》是以907空間劇場入口區域作為主要場景，並以六道相連的門作為作品的核心意象和創作起點。這些門不再只是動線的備置，而是企圖探討我們每一次所選擇的「進」與「出」，是否真的能帶領我們進入一個新的空間？抑或只是困在不斷重複選擇的循環之中。

作品探討「進」與「出」之間的連結；舞者在身體與空間中不斷穿梭，反覆尋找出（進）口，回應缺與失，存在與消失的狀態，追問如何在空間內和外之間被看見，被定義。每一次的進與出，都是選與擇的瞬間，在身體與空間的推移中，揭示存在，消失，離開的狀態。在極簡的空間設定中，舞者更透過影像，顛覆空間的想像，深化關於「進」與「出」之間關係的敘事。

 

作品《in/out》由編舞James Kan 與導演 Low Yee Choy 共同創作，期望為觀眾打開另一種觀看方式，使入口大廳不再只是等待的地方，而是可被重新感知與想像的空間。

in/out is a site specific work devised in 907 Space Theatre’s lobby, takes inspiration from the 6 doors in the lobby, exploring if every choice we attempt making to exit would truly bring us to a new space or do we get stuck on the loop of making endless choices.

The work explores the relationship between “in” and “out.” The performer continuously moves through the space, repeatedly searching for entrances (and exits), responding to the states of “absence and loss”, “presence and disappearance”. It asks how one is seen from the inside and outside of a space. Each act of entering and exiting is a moment of choice; through the experiences of “travelling” space, it reveals the states of presence, loss, and exit. With a minimalist setting, the space is expanded with video projection, deepening the storytelling of the relationship between choices and consequences.

in/out is a collaborative creation by choreographer James Kan and director Low Yee Choy. The work opens the doors inviting the audiences to hopefully perceive the space (lobby) beyond its function just as a waiting room.

【境•形視系列創作平台介紹】

「境 • 形視」系列以特定空間為創作發想，創作者後期進駐場館為期1-2週與空間激盪思維，並生活在此，利用空間或建築整體作為元素，結合舞蹈元素打破既定的劇場形式，一切在自然的空間發生，取材於空間也運用於此。 種子舞團期望將身邊資源與新銳編舞家共享，讓新生代的創作者藉由平台專心投入創作，免去繁瑣事務，藉由作品發表讓更多人看見，並期盼編舞者將作品投入國際競賽為台灣發光。「境•形視」系列創作平台，以培育及陪伴作為使命，培育更多新一代的創作新秀，當新銳編舞者的搖籃。