《雷峰塔》

聲景重構下的《雷峰塔》

在西湖邊展開的《雷峰塔》傳奇，是許多人耳熟能詳的經典。在傳統的演出形式中，通常依賴「傳統文武場」來傳遞角色的情緒與舞台節奏，那是戲曲美學中最核心的聲響來源。然而，當這份傳統美學走進現代化的大型劇場時，單純依靠傳統聲響的感染力，有時會顯得比較單一，難以完全滿足廣大場域空間所帶來的距離感。我們這次的演出計畫，核心就在於尋找傳統藝術與現代感官之間的新聯結。我們不再只是將聲音視為表演的輔助背景，而是將其「部分」定位為與演員身段、敘事脈絡並行的表演主體。透過「聲音劇場」的概念，我們希望在舞台上建立一種新的對話方式。

關於這次演出的故事詮釋，我們回歸了經典文本中對人性的深刻描繪。現在大家常見的影視或劇場改編，往往過度理想化白蛇與許仙的愛情；但在傳統崑曲演出中，展現了更多白蛇的執著與單純，以及許仙複雜且真實的人性。白蛇象徵著一種勇敢追求愛情的力量，雖然在世俗定義中她是「妖」，是「應被消除的存在」，但她修煉千年，只為與心上人相守，這或許就是故事裡最浪漫的地方。反觀許仙，他在劇中卻常常表現出害怕與搖擺，見佛說佛話，見到妖說情話，像極了現實中的「牆頭草」；甚至在關鍵時刻，他還會假他人之手來摧毀全心愛他的人。有時候，「人」可能比「妖」更可怕。

為了呈現這樣的心理層次與戲劇張力，在聲音表現上，我們特別強調「用聲音寫意」與「包裹觀眾」的體驗。所謂的包裹感，是一種全方位的環繞效果。我們利用劇場內多聲道的音響配置，讓聲音不再只是從正前方的舞台傳過來，而是從觀眾的四周、甚至頭頂湧現。這種設計並非為了追求寫實的環境音，而是要用聲音來延伸演員的身段與呼吸。這種「聲音寫意」的做法，讓觀者不僅能看到動作的勁道，還能同時感受到環境氣氛的起伏，讓戲曲的傳統美感在現代劇場中有了更立體的感官支撐。

這次的展演，希望在劇場裡創造出一種全方位的觀戲體驗。這不單單只是演繹一段大家熟悉的故事，更是我們試著用現代聲音技術與傳統表演進行對話。這部戲將帶領大家看穿角色的偽裝，直視人性中最真實的情感衝突。誠摯邀請大家進場看戲，在這種虛實交織的聲景中，重新感受《雷峰塔》這個經典所蘊含的震撼與力量。

The Leifeng Pagoda Under Soundscape Reconstruction

The legend of The Leifeng Pagoda, set by the West Lake, is a timeless classic. Traditionally, performances rely on the "Wenwuchang" (traditional ensemble) to convey emotion and rhythm—the core of Chinese opera aesthetics. However, in modern large-scale theaters, the impact of traditional sound can feel singular and struggle to fill the vast space, creating a sense of distance. Our project seeks a new connection between traditional art and modern sensory experiences. We no longer treat sound merely as a background element; instead, we position it "partially" as a performing subject alongside the actors' movements and the narrative. Through the concept of "Sound Theatre," we aim to establish a new dialogue on stage where sound is not just heard passively but actively drives the atmosphere.

Regarding the storytelling, we return to the profound depiction of human nature found in the classic text. Common adaptations often idealize the romance between Bai Suzhen and Xu Xian. In contrast, traditional Kunqu reveals Bai's unwavering persistence and Xu Xian's complex, raw humanity. Bai symbolizes the courageous pursuit of love. Though labeled a "demon" by societal standards—an existence to be eliminated—her thousand-year cultivation was solely for the sake of staying with her beloved. This is perhaps the most romantic part of the story. Xu Xian, however, often wavers in fear, acting like a "fence-sitter" who says what people want to hear; at critical moments, he even betrays the one who loves him through the hands of others. Sometimes, "humans" can be more frightening than "demons."

To present these psychological layers and dramatic tension, our sound design emphasizes "Sound Painting" and an "Immersive Wrapping" experience. This "wrapping" effect is, in plain terms, a full surround-sound experience. Using multi-channel speaker configurations, sound no longer just comes from the front stage but emerges from all around and even above the audience. This design is not for realistic environmental noise but to extend the actors' movements and breath. This approach of "Sound Painting" allows the audience to not only see the power of the movements but also feel the shifting atmosphere, providing modern sensory support for traditional aesthetics in a contemporary theater setting.

This production of The Leifeng Pagoda aims to create an all-encompassing sensory experience in the theater. It is more than just retelling a familiar story; it is an experiment in dialogue between modern sound technology and traditional performance. This play will lead the audience to look past the characters' disguises and face the most authentic emotional conflicts. We cordially invite everyone to come and experience this new sensation woven from sound and performance. We hope every audience member finds the power and resonance within this classic legend amidst this interwoven soundscape.