2026新點子實驗場 陳士惠《Sisila ila ila 別離之歌》

在鯨聲與賽夏古調之間尋找記憶——不是真的別離，是期待再相逢

由旅美作曲家陳士惠創作，榮獲 2023 美國藝術文學院音樂獎作曲類高度讚譽的《Sisila ila ila 別離之歌》，作品歷經創作淬鍊，將在臺灣世界首演，帶領觀眾進入真實與幻象的劇場體驗。

演出由曾為紐約愛樂打造多項跨界製作的道格．費奇執導，將現場音樂、光影設計與東華皮影劇團的影像交織為流動的劇場空間。中提琴家黃心芸化身為聲音的航行者，與現代樂團時間藝術工作室共闢聲音秘境，穿越賽夏族古調、懷舊民謠、都會噪響與座頭鯨的深海呼喚。一段連結記憶與心靈的深刻對話，一場關於離散、回望與再相逢的聲音儀式。

^{©Lynn Lane}

^{©Tommy LaVergne}

作曲家 Composer｜陳士惠 Shih-Hui Chen

作曲家陳士惠的作品擅長將臺灣元素融入西方音樂，並廣泛連結戲劇、影像及社會議題。 她曾獲 2022 年傳藝金曲獎最佳編曲提名，2007及 2023年美國藝術文學院音樂作曲獎。其傑出作品屢獲殊榮，包括美國國家文藝獎、羅馬音樂大獎、古根漢基金會獎、洛克斐勒基金會獎等。 陳士惠的作品常在歐美亞各地發表演出，合作樂團有費城、克里夫蘭及臺灣交響樂團等。她現為美國萊斯大學音樂院專任教授、「古樂今曲」音樂節執行長、亞洲協會 (Asia Society) 的表演藝術委員。英國前衛雜誌《Wire Magazine》則讚譽她的 CD 專輯《讓靈魂回家》Returning Souls 展現了「深厚的音樂智慧」。

Taiwanese American composer Shih-Hui Chen, recipient of the 2023 Walter Hinrichsen Prize from the American Academy of Arts and Letters, explores narratives at the intersection of identity, culture, and tradition. Her music aims to bridge boundaries between music and society, diverse cultural traditions, and different art forms.

Chen's study of indigenous and nanguan music in Taiwan deepened her understanding of her heritage, resulting in pieces such as A Plea to Chang'e for Nanuan Pipa and Chamber Orchestra and Returning Souls: Four Short Pieces on Three Formosan Amis Legends.

Recent works showcase this cross-cultural focus: Fermentation, The Night Sour Pickles Talked explores food preservation as a cultural connector; or/and is a chamber opera on personal and cultural identity; and Sisila ila ila: Saying goodbye is a shadow puppet viola concerto about cultural and environmental conservation. Recognized by prestigious institutions like the Guggenheim Memorial Foundation and the American Academy in Rome, Shih-Hui Chen serves on the Performing Arts and Culture Committee at the Asia Society Texas Center and teaches at Rice University's Shepherd School of Music. She has collaborated with major groups, including the Philadelphia Orchestra and the Cleveland Symphony Orchestra.

導演 Director｜道格・費奇 Doug Fitch

道格・費奇是一位著名的視覺藝術家，同時也是歌劇與音樂會劇場的導演。他著名的作品包括為紐約愛樂製作的演出，如 Le Grand Macabre、The Cunning Little Vixen 和 A Dancer's Dream，愛樂樂團首屆雙年展期間於大都會博物館演出的 Gloria: A Pig Tale 、Santa Fe 劇院的《杜蘭朵》、洛杉磯和達拉斯歌劇院的 Hansel and Gretel，以及為洛杉磯愛樂製作的現場動畫版《彼得與狼》，該作品後來成為由愛 Alice Cooper 旁白的互動應用程式。費奇為在 PBS 播出的納什維爾芭蕾舞團的 Black Lucy and the Bard 設計了佈景和服裝，並為 Boston Lyric Opera 和 Opera Grand Rapids 製作了Eurydice。他的作品還包括在現代藝術博物館（MoMA）展出 TANGLEWOOD 製作的 What Next?，以及為薩爾茨堡莫扎特週音樂節創作的 Punkitit。他曾是一名布偶師，與人合著了 Orphic Fodder 一書，並創辦了藝術傢俱公司 Ooloo。

Doug Fitch is a renowned visual artist and director of opera and concert theatre. His notable works include productions for the New York Philharmonic such as Le Grand Macabre, The Cunning Little Vixen, and A Dancer's Dream, along with Gloria: A Pig Tale performed at the Metropolitan Museum during the Philharmonic's inaugural Biennial. He has directed Young People's Concerts, including their 100th anniversary. His career highlights feature Turandot at Santa Fe Opera, Hansel and Gretel at LA and Dallas Operas, and a live-animated Peter and the Wolf for LA Philharmonic, which became an interactive app narrated by Alice Cooper. Fitch designed sets and costumes for Nashville Ballet's Black Lucy and the Bard, aired on PBS, and produced Eurydice for Boston Lyric Opera and Opera Grand Rapids. His work includes the Tanglewood production What Next?, shown at MoMA, and Punkititi for Salzburg's Mozart Woche. A former Muppeteer, he co-wrote the book Orphic Fodder and founded the art furniture company Ooloo.

中提琴家 violist｜黃心芸 Hsin-Yun Huang

備受國際矚目的中提琴演奏家，曾獲 1993 慕尼黑國際音樂大賽中提琴首獎及日本文化村音樂廳大獎。1988 年，她更成為萊諾特堤斯國際大賽最年輕的金牌得主。合作過的樂團包括慕尼黑與巴伐利亞廣播交響樂團、柏林廣播交響樂團、俄羅斯國家愛樂交響樂團、國家交響樂團。黃心芸畢業於科堤斯及茱麗亞音樂學院，目前於這兩所母校任教。

Hsin-Yun Huang sees herself as an accidental violist. As a young musician, she picked up the viola in order to help her school orchestra in Taiwan where the viola was not yet a known instrument. Since then she is most grateful for what the instrument has led her — to travel the world, to know cultures, to build a family and life in music she dared to dream. In today's program she is the proud mother of Leah Amory and Lucas Amory. Her life commitments include inspiring deep passion in musicians and seeking ways to build bridges through music. She is most grateful for her mentors David Takeno, Samuel Rhodes, Michael Tree, Peter Norris and Yehudi Menuhin. She teaches at the Juilliard School and the Curtis Institute of Music.

室內樂團 Ensemble｜時間藝術工作室 TimeArtStudio

時間藝術工作室——最不受拘束的多元化音樂團體在藝術的分類上，音樂被歸為時間的藝術。『時間藝術』的奇妙之處就在於，這種藝術形式可以帶人脫離以空間為參考點而時間為事件發生順序的世界；進入一種與現實生活倒置，以時間為參考點，空間為事件發生順序的世界。在這樣的世界裡，莫札特可以遇上電子音樂、古提琴可以現身現代藝廊、巴哈可以與麥可傑克森同台較勁……在我們的世紀，音樂做為時間藝術的特質最為彰顯。

『時間藝術工作室』是由一群二十一世紀的音樂人，一方面繼承了前人偉大的音樂遺產，一方面卻又秉持著現代人獨有的創造力所成立的音樂團體。『時間藝術工作室』的演出，有古樂、有現代音樂、也不乏古典音樂或是與其他藝術結合的跨界合作，是最不受拘束的多元化音樂團體！

TimeArtStudio is a collaboration of a group of young musicians, who aim to inherit the tradition embedded in contemporary music. They pursue the goal of supporting New Music and giving it appropriate performances. In addition to seeking the fusion between cultures, TimeArtStudio has also explored the relationship between visuals, space and sound through collaboration with artists from different fields, creating projects inspired by the local traditions and the most recent technology.​ ​

TimeArtStudio has performed in numerous international Music Festival and Arts Festivals, ranging from fully-staged musical theatres to multimedia works to intimate solo performances. It has performed in different countries/places such as the Netherlands, the United States, Chile, China, Macau and Hong Kong.

小提琴 Violin｜蔡承宏 Cheng-Hung Tsai

小提琴 Violin｜林珍瑩  Chen-Yin Lin

大提琴 Cello｜張智惠 Chih-Hui Chang

單簧管 Clarinet｜王冠傑 Kuan-Chieh Wang

打擊 Percussion｜余若玫 Rho-Mei Yu

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