2026 林昭亮小提琴獨奏會

當代小提琴大師林昭亮以其絲綢般滑順的音色與對音樂的深刻理解，在樂壇享有盛名，本場獨奏會攜手鋼琴名家李堅，展現古典與浪漫風格的相互輝映。上半場由貝多芬第一號與第七號小提琴奏鳴曲領銜，感受作曲家從明亮純粹走向英雄主義的風格轉換。下半場則轉向感性的情感綻放，黃輔棠的《阿里山之歌》注入親切的東方色彩，全曲流露對土地的深刻情懷，賦予了本就如歌的旋律更深邃的生命力。壓軸的法朗克A大調奏鳴曲，更是浪漫樂派的經典之作，和聲充滿法式的氤氳色彩，整場演出在輝煌與溫柔間交錯，成就一場從古典走向浪漫的音樂巡禮。

Celebrated internationally for his silken tone and profound artistry, violin virtuoso Cho-Liang Lin joins distinguished pianist Li Jian in a recital that spans the expressive breadth of the Classical and Romantic traditions. The program opens with Beethoven’s Violin Sonatas No. 1 and No. 7, tracing a compelling evolution from clarity and elegance to dramatic intensity. The second half turns to lyrical depth: Fu-Tong Wang’s Song of Ali Mountain brings an intimate Eastern sensibility and heartfelt warmth, followed by Franck’s Sonata in A major, a Romantic masterpiece rich in harmonic color and French lyricism. Interweaving brilliance and tenderness, the evening unfolds as a captivating journey across eras and styles.

【演出曲目】

貝多芬：D大調第一號小提琴奏鳴曲，作品12之1
L. v. Beethoven: Violin Sonata for Piano and Violin No.1 in D major, Op.12, No.1

貝多芬：C小調第七號小提琴奏鳴曲，作品30之2
L. v. Beethoven: Violin Sonata for Piano and Violin No.7 in C minor, Op.30, No.2

─中場休息Intermission─

黃輔棠：《阿里山之歌》
Fu-Tong Wang: Song of Ali Mountain

法朗克：A大調小提琴奏鳴曲
César Franck: Violin Sonata in A Major

林昭亮 CHO-LIANG LIN

出生於台灣，林昭亮五歲時因為被鄰居的琴聲吸引而開始了他的音樂之路。十二歲移居雪梨，跟從Jeno Hubay的學生Robert Pikler學習，次年參加帕爾曼大師班後，十三歲的他決定拜帕爾曼的老師桃樂絲．迪蕾為師，十五歲隻身前往紐約就讀茱莉亞音樂院，並接受迪蕾長達六年的教導。

1980年林昭亮首次與紐約愛樂及祖賓．梅塔合作，演出孟德爾頌小提琴協奏曲，自此展開其職業演奏生涯，並以獨奏家身份與世界各大知名交響樂團合作演出，直至今日仍持續活躍於世界各大重要舞台。此外，他在三十一歲時即受母校茱莉亞音樂院之邀擔任教職、2006年被萊斯大學聘為終身教授、2018年榮獲傑出教授。林昭亮曾擔任拉荷亞夏季音樂節音樂總監長達十八年之久，2012年起擔任香港國際室內音樂節音樂總監至今。由於熱衷音樂教育，他創立了台北大師星秀音樂節，希望把一流的師資及教育方式帶給有才華的年輕音樂家。

在其多樣化的音樂專業領域中，林昭亮曾支持過許多當代作曲家，對於委託創作不遺餘力，因此讓許多作曲家曾為之譜曲，其中包括約翰．哈比森，克里斯多夫．羅斯、譚盾、約翰．威廉斯、史蒂芬．斯塔基、艾薩-佩卡．沙隆年、盛宗亮、保羅．蕭恩費德、拉羅．西夫林、瓊．托爾等。近期以獨奏家身份合作演出的樂團包括紐約愛樂、底特律交響樂團、慕尼黑愛樂、多倫多交響樂團、辛辛那提交響樂團、納什維爾交響樂團以及皇家愛樂等樂團。

林昭亮的興趣包括探戈音樂、葡萄酒與洋基棒球隊。他演奏的小提琴為1715年史特拉第瓦里名琴「提香」，以及當今製琴大師山姆．兹格曼多维茨於2000年為其特別製作的小提琴。林昭亮的演奏專輯收錄於索尼古典唱片、迪卡唱片，BIS唱片、Delos和 Ondine唱片公司，亦可於Spotify務或拿索斯線上古典音樂圖書館收聽，他的錄音曾獲得《留聲機》雜誌年度最佳專輯、多次葛萊美獎提名。

Cho-Liang Lin was born in Taiwan. A neighbor’s violin studies convinced this 5-year old boy to do the same. At the age twelve, he moved to Sydney to further his studies with Robert Pikler, a student of Jenő Hubay. After playing for Itzhak Perlman in a master class, the 13-year old boy decided that he must study with Mr. Perlman’s teacher, Dorothy DeLay. At the age fifteen, Lin traveled alone to New York and auditioned for the Juilliard School and spent the next six years working with Ms DeLay.

A concert career was launched in 1980 with Lin’s debut playing the Mendelssohn Concerto with the New York Philharmonic and Zubin Mehta . He has since performed as soloist with virtually every major orchestra in the world. His busy schedule on stage around the world continues to this day. However, his wide ranging interests have led him to diverse endeavors. At the age of 31, his alma mater, Juilliard School, invited Lin to become faculty. In 2006, he was appointed professor at Rice University. He is currently music director of La Jolla SummerFest and the Hong Kong International Chamber Music Festival. Ever so keen about education, he was music director of the Taiwan National Symphony music camp and youth orchestra for four years.

In his various professional capacities, Cho-Liang Lin has championed composers of our time. His efforts to commission new works have led a diverse field of composers to write for him. The list includes John Harbison, Christopher Rouse, Tan Dun, John Williams, Steven Stucky, Esa-Pekka Salonen, Bright Sheng, Paul Schoenfield, Lalo Schifrin, Joan Tower and many more. Recently, he was soloist with the New York Philharmonic, Detroit Symphony, Munich Philharmonic, Toronto Symphony, Cincinnati Symphony, Nashville Symphony and Royal Philharmonic. 

Lin performs on the 1715 Stradivari named “Titian” or a 2000 Samuel Zygmuntowicz. His many concerto, recital and chamber music recordings on Sony Classical, Decca, BIS, Delos and Ondine can be heard on Spotify or Naxos.com. His albums have won Gramophone Record Of The Year, Grammy nominations and Penguin Guide Rosettes.

李堅 LI JIAN

李堅是當代國際樂壇備受矚目的鋼琴家、指揮家及教育家。他出生於顯赫的音樂世家，母親為著名小提琴家俞麗拿，父親為著名長笛演奏家李國良。1981年，年僅16歲的李堅在巴黎「隆－蒂博國際鋼琴大賽」中榮獲大獎，不僅獲得法國政府資助進入巴黎國立高等音樂學院隨名師桑剛（Pierre Sancan）深造，更從此開啟了他在歐洲頻繁演出的職業生涯。

1985年，李堅赴美進入頂尖的柯蒂斯音樂學院（Curtis Institute of Music）深造，其卓越天賦深深打動了當時已準備退休的傳奇大師霍佐夫斯基（Mieczyslaw Horszowski），促使這位貝多芬的第四代嫡傳弟子決定重拾教鞭。1987年，李堅以獨奏家身份與中國中央樂團於美國30座城市巡演；1989年應新象之邀首度來台演出。他那超凡的技巧與表現力，不僅吸引了美國評論界的廣泛注意，更受到小提琴大師艾薩克．史坦（Isaac Stern）的高度賞識。

李堅的藝術造詣不僅限於鋼琴獨奏，他在室內樂與指揮領域同樣成就斐然。他曾與馬友友、林昭亮、安妮‧梅耶斯（Anne Akiko Meyers）及拉雷多（Jaime Laredo）等世界級大師合作，其敏銳的音樂感應力與合作默契深獲好評。作為指揮家，他曾擔任美國新澤西州州立歌劇院指揮，執導《阿依達》、《蝴蝶夫人》等著名歌劇，並多次受邀指揮日本名古屋交響樂團與紐約聖路克斯交響樂團，展現出跨足不同音樂領域的全面才華。

在教育與藝術推廣方面，李堅同樣投入大量心力。他於1995至2001年間任教於母校柯蒂斯音樂學院，隨後於2009至2018年回到上海音樂學院擔任鋼琴教授及系主任，並榮獲上海市「東方學者」稱號。自2004年起，他持續擔任美國紐約音樂家基金會藝術總監，並在世界各地舉辦大師班分享演奏技巧。2020年起，他擔任上海思啟文化室內樂音樂季藝術總監，策劃並親自參演多場高品質音樂饗宴，持續以其深厚的藝術底蘊為樂壇注入生命力。

Li Jian was born in Shanghai in 1965 in a musical family. He is the son of the Chinese renowned violinist Yu Lina, who is best-known for the violin concerto The Butterfly Lovers. He began his music studies at the age of six and studied with professor Hong Teng at the Shanghai Conservatory of Music. He continued his education at the Conservatoire Nationale de Paris, with Pierre Sancan, and The Curtis Institute of Music, with the legendary Mieczyslaw Horszowski, and studied conducting with Jorma Panula.

Li Jian gained worldwide recognition in 1981, when at the age of 16 he won the second prize in the prestigious Marguerite Long-Jacques Thibaud international competition in Paris. This honor brought him opportunities for playing in European countries including France, Italy, Germany and Britain. He was also the youngest musician chosen by the Chinese government to perform at the national reception honoring U.S. President Jimmy Carter on his historic visit to China. In 1989, he became the first Mainland Chinese musician to be invited to perform in Taiwan.

As a recitalist, he has performed in such prestigious music centers as Avery Fisher Hall and Alice Tully Hall in New York, the Kennedy Center in Washington D.C., Orchestra Hall in Chicago, Ambassador Auditorium in Los Angeles, the Musikverein in Vienna, the Theatre des Champs-Elysées in Paris, Suntory Hall in Tokyo, Symphony Hall in Osaka and Berlin Philharmonic Hall.He was Assistant Conductor of the New Jersey State Opera from 1998 through 2001. In 2000, he was conductor for the production of Verdi’s “Aida” in the Shanghai Arena, with over 80,000 people in attendance at each performance. Li Jian has been Artistic Director and Conductor of the Hunan Symphony Orchestra since 2003; and recently he has been named Artistic Director and Conductor of the Tokyo Virtuoso. Since 2004 Li Jian has also been Artistic Director of the Musicians Emergency Fund of New York.In an interview Li Jian said: "A musician doesn't have to exhibit his own style. His nature is revealed with the music he plays. A good musician should focus on the music and the daring nature of the composer. Otherwise you'll be wrong from the beginning."