2026臺南藝術節：阿納卡西斯・拉莫斯《我的母親與金錢》

★ 國際巡演不斷   墨西哥當代劇場新銳首度來臺

★ 母子同台紀錄劇場   理想與麵包的終極兩難

劇場導演阿納卡西斯・拉莫斯出身墨西哥最貧困城市之一坎佩切。為了養活一家及兒子的劇場夢，他媽媽荷西菲娜・歐萊涅塔曾從事超過40種工作。媽媽做過的生意，可比兒子唸過的書、看過的戲、交過的男友還多——既然媽媽活得如此精彩，還有什麼比請她演自己更「紀錄劇場」：演戲，變成了媽媽最新一項國際巡演工作。

導演｜阿納卡西斯・拉莫斯（Anacarsis Ramos）
（墨西哥／西班牙裔，現居墨西哥）

劇作家、舞台設計、導演及演員。研究戲劇與社會學，為 PORNOTRÁFICO 成員。

他的創作手法聚焦於社會現實與媒體再現之間的關係，特別關注虛構敘事在國家機構、私人領域及社群脈絡中的多元運用方式。透過詩意、幽默與模仿的創作手法，作品揭示現實如何透過敘事被建構，同時拆解各種再現機制背後潛藏的偏見與權力結構。

除了劇場創作之外，也策劃並主導多項藝術教育計畫與表演藝術研究工作，並於劇場評論部落格 Mataclase 撰寫劇場相關文章。 

PORNOTRÁFICO

來自墨西哥的藝術團體 PORNOTRÁFICO，一個以墨西哥（CDMX）為基地的藝術家團體，將舞台視為一個實驗現實的場域。

挪用全球化時代的各種文化資源，例如電影片段、YouTube 影片、廣告、流行歌曲與政治宣傳素材，並以階級鬥爭、殖民歷史、酷兒理論及神經多樣性等觀點重新改寫內容，再將其重新重製，成為作品——如果可以的話，希望還帶有一些幽默感。

大多數的創作中，運用低成本重製（low-budget remakes）、假字幕、配音、卡拉 OK、角色扮演（cosplay）、紀錄劇場等形式，試圖挑戰某些藝術美學上的菁英主義，以及既有的權利體制。

【About the Performance】

For more than six decades (1960-2020) Josefina Orlaineta, mother of Anacarsis Ramos, held more than forty jobs and businesses in Campeche, one of the states with the highest poverty rate in Mexico. Using theatrical and documentary tools, they both reproduce some of these works to reflect on the economic crisis as a permanent state, the expansion of work to all the spaces of a family, the social helplessness of independent workers (both merchants and artists), the negotiations that are made to tell someone else's life and the usefulness of theatre as a space to generate more compassionate narratives of ourselves, as they travel through 60 years of economic history in the State of Campeche.

ANACARSIS RAMOS (Mexican-Spanish, resident in CDMX, Mexico)

Playwright, stage designer, stage director and actor. He has studied theatre and sociology. Member of the company Pornotráfico. His work investigates the relationship between social reality and its representation in the media, with a particular interest in the diverse applications of fiction in state, private and community contexts. Through lyricism, humour and parody, his works highlight the narrative construction of reality and expose the biases involved in representation. In addition to stage projects, he coordinates different pedagogical initiatives and stage research. He writes about theatre in the blog Mataclase.

PORNOTRÁFICO

We are a group of artists based in CDMX who approach

the scene as a space for experimenting with reality. We tend to appropriate resources of globalisation such as film clips, youtube videos, commercials, pop songs and political propaganda, parasitise them with narratives of class struggle, colonisation, queer theories and neurodiversity and put them back into circulation, as (funny, if possible) works. We have used low-budget re-makes, fake subtitles, dubbing, karaoke, cosplay, power points and fake tutorials in almost all our works, seeking to challenge certain aesthetic elitism and copyright.